"The ouroboros is an ancient symbol of a snake or serpent eating its own tail, variously signifying infinity and the cycle of birth and death." - dictionary.com

This album is for my son Jasper Myhill and in memory of my father John Myhill.

Cinematic Inspired I - Ouroboros

Ouroboros

<3 <3 <3
 Open to requests or collabs, shoot me a message.

Strange Flowers - new track, stream on platforms https://push.fm/fl/6ofm9pyj

My entry for the Orchestral Tools - Composer's Journey competition - https://www.youtube.com/watch?v=l53qlNy6ZD4

Composer of original music based in Kent, U.K. Creating works using a combination of electronic sounds, live guitars, bass and orchestral instrumentation / arrangement.

Always looking to collaborate/work on anything to do with syncing music to film. If you have a project, or are a film student looking for music I am open to opportunities.

https://jamesmyhill.net

Music Of Modern Artists
A collective in a vast sea of musical instruments and gear.
Then of course, anything can happen. 
Based in Stockholm, Sweden, we work hard for the ultimate songs, with the best lyrics, the intriguing chords and the sound and quality that we our selves long to hear. 
We always try to learn and on Soundcloud we find so much talent and insight – that's why we often ask around for new tips and tricks, gear and studio technique.
Progressive Rock in our philosophy is a free form and a intuitive way to music and the imaginary land beyond the horizon...(pretentious? Oh Yea!)

The new album "VOYAGE AROUND THE WORLD"  is out!
Available on:
Bandcamp https://davideangelini.bandcamp.com/album/voyage-around-the-world-full-album-2025 
Spotify  https://open.spotify.com/intl-it/album/3elsDJfdgwCRStfQDYmTW7
Apple  https://music.apple.com/it/album/voyage-around-the-world/1812850653

Davide Angelini is an italian musician (He plays organ, keyboards and piano), composer, singer, songwriter and producer of different kind of music (pop, synth pop, synth rock, ambient, electronic, classical).
The sound reminds especially of the 80s/90s music.

He doesn't use any A.I. support for his productions, neither autotune for his vocal performances.

This is the discography:
- PERSONAL (1998)
- IMAGES FROM A MIRROR (2007)
- WELCOME TO MY LIFE (2009)
- RAPTURED BY THE SOUND (2013)
- SYMPHONY FOR A NEW GENERATION (2014)
- THE MYSTIC OPERA  I  (2016)
- INTROSPECTION (2019)
- THE MYSTIC OPERA II  (2022)
- THE MYSTIC OPERA III (2024)
- REACTION (EP, 2024)
- VOYAGE AROUND THE WORLD (2025)

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Indie, Acoustic & Psychedelic music from The Western Isles of Scotland.

Hidden away in the windswept landscapes of the Outer Hebrides, flakebelly shapes songs that wander between psychedelic indie rock, folk-jazz, and the quiet strangeness of the everyday. Acoustic warmth, blues-stained guitars, jazz-streaked piano, and dreamlike textures fold into each other, creating music that drifts between clarity and haze.

His track In Parks Of Tall Trees found its way to Tom Robinson’s BBC 6 Music Introducing Mixtape, a small ripple in what has become a steady tide of restless ideas. From first picking up a guitar in the late 90s and stumbling through those formative songs in the early 2000s - many of which later resurfaced on Apprentice Green - flakebelly’s path has been one of constant diversion and reinvention. The early singles collections - The Orkney Tapes (2022) and The Christmas Morning Outcome (2023) - were restless, experimental documents of sound-searching, sketchbooks where ideas were tested, broken apart, and pieced together again in the pursuit of a voice. Those experiments fed directly into the indie-folk EP Behaviours (2022), the rough-edged Lo Fidelity (2024), and the kaleidoscopic album Apprentice Green (2024), described by SNACK Magazine as “like being Alice in Wonderland, transported through a maze of moments in flakebelly’s imagination.”

Now comes The Boy In The Diving Bell - out now - a 17-track reckoning with past ghosts, unfinished business, and the fragments of memory that refuse to settle. It is a psych alt-folk soup of acoustic laments, fractured tape loops, and warped dreamscapes. Much of the sound was dragged through the teeth of a battered 1960s reel-to-reel, used not as a recorder but as an instrument - reels halted, jolted, rewound, coaxed into blurples, screeches, and ghostly echoes. Mistakes are left in, first takes are preferred, imperfections celebrated. The result is an antidote to the sterilised sheen of digital perfection and the creeping spread of AI-reproduced music: deliberately irregular, defiantly human.

The Boy In The Diving Bell is only the beginning - the first of three interconnected albums, the demos for which are already written. Yet even as that arc unfolds, flakebelly has begun detouring into a very different landscape: a new project built from vinyl samples, drum loops, and dirty guitars driven through vintage outboard gear, cassette recorders, and battered mixers. It is dark, abrasive, and deliberately uncomfortable - sound pushed to the point of collapse, distorted tape glued together with transformer saturation, live mixes through old delay units, dials twisted until frequencies scream. If The Diving Bell trilogy is haunted by memory, this parallel work dives into raw sound destruction and the strange beauty of degradation.

True to his solitary instincts, flakebelly writes, records, and produces everything from his home studio. The result is music that feels lived-in and handmade - always shifting, never fixed, and forever searching for new shapes in the sound.

All socials: @flakebelly //

"Extensive and wildly eclectic sonic adventures" - Tom Robinson, BBC 6 Music

"flakebelly is ultimately the sort of the artist we need more of – a genuine weirdo-auteur carving his own path purely for the love of the game." - Lewis Wade, Is This Music?

"Refreshingly individual and very likeable" - Neil March, Trust The Doc Media

Guitar driven, self produced, original instrumental music.

Happy headbanging and happy tripping!

SPACE CAT 😸 – Intergalactic Producer & Composer

SPACE CAT is an electronic music producer and composer known throughout the underground scene for his cinematic soundscapes and retro-futuristic energy. Inspired by Star Trek, Blade Runner, and the neon glow of 80s sci-fi, he crafts music that bridges analog nostalgia with cutting-edge modern production.

His sound blends synthwave, cyberpunk, and hybrid orchestral elements, creating immersive audio worlds that feel both timeless and futuristic. Each track is a journey through sound — from rain-soaked dystopian streets to distant cosmic horizons — guided by rich melodies, atmospheric textures, and deep, driving rhythms.

Having collaborated with numerous international artists, SPACE CAT has built a reputation as a boundary-pushing creator within the electronic underground. His productions resonate with those who crave cinematic storytelling, emotional depth, and interstellar grooves.

To boldly groove where no cat has grooved before. 🐾

🚀 Genres: Synthwave • Cyberpunk • Hybrid Soundtracks • Electronic Cinematics

💫 Huge thanks to all the fans, listeners, and fellow travelers across the galaxy — your energy keeps the engines running and the music alive.
Stay cosmic, stay curious, and see you among the stars. 🌌

Brighton based musician, songwriter and producer. Main genres include Electronica, Trip-Hop, Spoken Word, Synthwave and Chillout.
 
Supported by BBC Introducing South, Trust The Doc, numerous radio stations and more. 
 
Two full albums out - 2018’s Not Yet and 2020’s Rainland, plus singles and an EP. 
 
Former host and producer of Supernova Radio Show (aired on GlitterBeam UK)

lucasgil.net

Ouroboros

James Myhill