avace &&&

thanks to @breadyscarethrough for reminding me this is a thing yo, his beautiful

Sometimes It Rain

This is over a year old at this point - the followup to the X4 records Holiday EP. Kinda shunting it out because I have no idea why I'm holding it. Hope you like it, sweeties (or even just tolerate it, w/e ya like)

It's A Horsey Holiday Track 1

Track available at Lambmother's "Thanatology" EP (Feb. 1, 2020) published on Bandcamp: lambmother.bandcamp.com/album/thanatology

Thanatology

If you want high-quality electronic music, or rather idm and glitch directions. Then we bring to your attention the first album of the Dutch musician Vardenzenix album will be called Outlying. The music itself is very high quality, emotional and emotional! Your attention one track out of ten!
P.S At the moment, work is underway and a release is being prepared! The publication will take place very soon! Thank you for your support and welcome everyone who has recently joined us!

Outlying

Octav [COMING SOON Vardenzenix - Outlying (2020)]

L a m a t r o i s - The Birth Of A New Civilization

hexis nou

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

reaching across the atlantic in one direction,
across the pacific in the other direction

the full experience: https://youtu.be/jcFJqFeuTNw
visuals by dylan schmid

in collaboration with k wilson from down under
kwils soundcloud: https://soundcloud.com/kwilsonk

stems (in collab with kwils)

Slowly I Turn

Musical culture becomes a matter of musical empiricism.
Based on your artistic sensibility in emotionally perceiving any form of sound, based on the conformation of your electronic musical idea.
Electronic music knows no auroras and no borders, on the contrary, it resembles an open, unlimited field where you can visit the pioneering worlds of electronic music up to the innovative ones, anticipating in a certain sense the FUTURE.

hexis nou

tape and loop

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Fab~aen

Fab~aen

LeoneLinder

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