Sorina Aust-Ioan - piano

Recording from the conecert on 24. November 2019,
"Nuevas Tribus 1.0"
Museo Universitario Arte Contemporaneo, Mexico-City

Klaviersonate in Form einer Fantasie op. 24 mit Sorina Aust-Ioan - Klavier

Scores are available for study or performance for the asking, in pdf form or as hard copy.

VFrost2468@gmail.com

I am an artist, who writes, photographs, paints, composes music, writes lyrics, and sings.

Ecosociable artivist. Heal, not steal. stop globabusism! viva asynarquia

Heidi-Marie Arapa, known online as #ARAPAMusic, has cultivated her creative life on Soundcloud since discovering the platform in 2012. This space serves as the outlet for her diverse musical talents, where she composes, plays, and produces a wide spectrum of genres. Proficient in piano accordion, piano, and two synthesizers, Heidi-Marie orchestrates her sonic visions using Logic Pro X DAW. While her journey on Soundcloud unexpectedly led her into electronic music production, she also enjoys lending her voice to a touch of jazz. Since 2012, she has dedicated herself to music composition, production, and sound, undertaking orchestration and global collaborative projects. Heidi-Marie shares her creations openly, appreciating any resonance her music finds, and understanding when it doesn't.

New Album Released 29 August 2024

https://heidimariearapa.bandcamp.com/album/classical-compositions-2024

Album "Greetings From Australia" with my dear friend Wiesenberg 
https://open.spotify.com/playlist/31YvZRb2A16PoZBUmx5y0s?si=0c13ba6b19494de0

https://vimeo.com/846466472

I also feature my talented friends whose profiles I occasionally rotate on my profile since joining the Soundcloud Community, they have encouraged & supported  musicianship & creativity.  I cannot thank them enough #greatfriends #trust #respect

https://spotify.link/1e82g87w3Db
https://open.spotify.com/playlist/6L1qFzNenl1bRHGtDkK6gW?si=4ba561ca84df41a1

https://www.instagram.com/arapa_music/

https://linktr.ee/ArapaMusic

My parents listened to Franz Liszt - I still have the original record so I ended up a fan.  My music teacher was the late: Anatoly Miroshnyk (born August 19, 1923 - died July 14, 2011) was a Ukrainian composer, pianist, teacher, musician and public figure.
https://musical-world.com.ua/en/artists/miroshnik-anatoly-mikhailovich/

We often think of talented musicians as folks who start young and advance their skills via the finest education available to them. While this is certainly true in some cases, there are plenty who realised many of their artistic capacities without the aid of specialised instruction or a degree in music. 
#patience #perseverance #persistence #perspiration #nevergiveup

Thank you for visiting my profile. 

https://www.abc.net.au/triplejunearthed/artist/heidi-marie-arapa/
https://youtube.com/@ARAPAMUSICPRODUCER

Where words leave off, music begins.. Not everyone has the ability to compose music I also sing Jazz & Blues with musicians on Wikiloops a truly amazing community.

 I've always been passionate about music composition and fortunately the internet & technology made it possible to build a community in the clouds.

Find my global music journey since 2012 below:

https://linktr.ee/ArapaMusic

I've been tested by an examiner from the Australian Conservatorium of Music & apparently I have perfect pitch and blessed with the ability to accompany any musician, add hooks to any genre - as a singer I’m not great but who cares thats why most is spoken word.

I have my own style - either you like it or not -  always open for collaborations

🎤I have no fear of perfection - will never reach it 🎧   I don’t have the perfect voice nor am I aiming to be the best I'm only human with a passion for what I love music is in my heart.

Thank you to all who believe in me and MOST OF ALL my amazing Mentor thank you Sir for encouraging me to NEVER GIVE UP it all takes time and practice.

My mixing & mastering techniques have been learned from Youtube tutorials & experimenting with Logic Pro X.   I love the creativity and flexibility music production - a continual learning journey  of #passion #persistence #perspiration #patience
 
Having begun her musical journey at the young age of five with the piano accordion – an instrument initially more of an expectation than a choice, yet one for which she now holds deep gratitude – Heidi-Marie eventually transitioned into the captivating world of electronic music production a few years ago. This discovery led to the gentle retirement of her accordion, making space for her true passion: composing, producing, and sharing her sonic creations with the world. For Heidi-Marie, music is not just a pastime but a lifelong dedication, a constant until her final days.

Appreciate a like, repost or comment.  ❤️ 🌈🇦🇺

I'm a composer from Germany, born in 1967, who wrote his first compositions at the Age of 12. I studied music at "Robert-Schumann Musikhochschule" in Düsseldorf and graduated as a concert pianist. All in all my way as an artist was not straight an so I'm happy to present some of my works here on soundcloud.

If sombody likes to perform one (or more) of my compositions, you just have to send me an email to huttermhutter@web.de and I will be pleased to send you the score(s).

The chamber music an songs from me, that you can listen to here on soundcloud are all performed by real artists. I'm afraid, that some of the orchestral works here are just in a synthetical performance and so I'm still searching for orchestras, which would like to perform them.

If you feel touched by my music and want to support me creating more, you can become a patron! In favour of it, please visit my patreon-page:
https://www.patreon.com/user?u=2592819

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

"ھێی بەرزەفڕ،ھێی چیا دۆست،ھێی لە ئاسمان بەجێماو ببینە چۆن  لەناو ھەموو شتێکمدا بە دوای سەرو سیماتدا دەگەڕێم!بھێڵە دەستت لێبدەم و یەک یەک تیرە ڕۆحیەکانی خۆمت تێ بژەنم"
.
ڕوقا"

Klaviersonate in Form einer Fantasie op. 24 mit Sorina Aust-Ioan - Klavier

Matthias Hutter