still good. always good. heard this song 8 years ago on slowcoustic. still gets me.

Ah nice, love all of your stuff it's brilliant 

who is the female artist on this tune? truly stunning. sure I've heard her before, but just can't put my finger on it...

Random

'The Water EP' Available Now.

Download on iTunes: http://smarturl.it/thewaterep


The Water EP

Download on iTunes

Fossil Collective - Half Light

As heard in the #1 Netflix film, Love Hard. golda may covers "Read my Mind" by the Killers.

Read My Mind

The single off of the forthcoming record, Sings The Moon, in stores June 24th! 

Boy - Single

Get this song now on itunes: http://smarturl.it/In-The-Seams
Preorder new album: http://po.st/seamsfans (with signed CDs and vinyl)
LIVE co-headline tour with Bill Ryder Jones on sale NOW http://bit.ly/ssbrjtour

'I Remember' Lyrics: 

I remember when we were skin and bone, tough and cruel  
But bruises brown and fade away
Trinkets in a coat pocket stolen from kids at school
Burned a hole and fed a shame

Someone should have told you that you'd always have a place to go
Uh oh I thought you would have known  
Someone should have told you that you'd never find yourself alone
Uh oh, we lost you to the snow  

I remember when we would hang about in hollow trees  
New sounds, sitting smoking leaves
Walking past boarded up windows gets you down
Sh*t town, knew you couldn't breathe  

Someone should have told you that you'd always have a place to go
Uh oh I thought you would have known  
Someone should have told you that you'd never find yourself alone
Uh oh, we lost you to the snow  

Or maybe you climbed out after all  
I didn't wait around to see you fall
Found you on facebook soft and warm
You must have known it. You must have known it
You must have known it. You must have known it

Saint Saviour - I Remember

Release Date : 23rd February 2015

Grasscut, the duo of Andrew Phillips and Marcus O’Dair, return in February with a new single, Curlews/September Night’s Sky – the first single from the band’s forthcoming third album, Everyone Was A Bird, to be released by Lo Recordings in May 2015. 

Whilst first performed in collaboration with the Kronos Quartet to over 4,000 people in a warehouse in Poland, Curlews origins lie much closer to home. It’s meditative piano intro, soaring strings and sense of open skies and distant horizons inspired by the British coastline. “I’d started it on the train from Birmingham to Wales,” say Phillips, “and as I reworked it later for the album the music, especially the piano and string rhythms, kept pulling me back back to the Mawddach Estuary. I kept stripping layers and layers away, till eventually the melody, mood, and words were exposed – like they'd always been there.”

“The poet Harriet Tarlo cautions against the lazy use of ornithological metaphors for human emotion, but watching the curlews on the estuary, I really thought: this is me, digging around in the mud till I find it. I hope that's not lazy.”

That sense of place and belonging resonates throughout much of Grasscut’s work, and the forthcoming album features liner notes from the renowned landscape writer Robert Macfarlane. 

Alongside Curlews comes September's Night Sky, a story of a spring equinox in the Southern Hemisphere. Scored by fragmented keyboards, guitars and sweeping strings it brings to mind the sense of both majesty and fragility that a starry night can inspire.

http://www.grasscutmusic.com
http://www.lorecordings.com  


www.grasscutmusic.com

www.facebook.com/GrasscutMusic
www.twitter.com/GrasscutMusic
www.youtube.com/GrasscutMusic

iTunes

Curlews

cover que fiz de Agony do Yung Lean pra testar mix/master :)
#yunglean #draingang #sadboys 

agony

Hayden Calnin's new single White Night is out now on iTunes: http://apple.co/1E8louh
Visit Hayden at www.facebook.com/haydencalninmusic

Management: christine.diefenbach@gmail.com

Bookings:  -AUS rob@selectmusic.com.au
-UK/EU ben.kouijzer@unitedtalent.com



White Night

My interpretation of the beautiful song by Phosphorescent. 

Lyrics:

mama there's wolves in the house
mama they won't let me out
mama they're mating at night
mama they wont make nice

they're pacing and glowing bright
their faces all snowy and white
bury their paws in the stone
make for my heart as their home

they tumble and fight
and they're beautiful
on the hilltops at night
they are beautiful

blazing with light
is the whitest and the tallest and the biggest one
she's muscled and fine
when she runs

they're tearing up holes in the house
they're tearing their claws in the ground
they're staring with blood in their mouths
mama they won't let me out

they tumble and fight
and they're beautiful
on the hilltops at night
they are beautiful

blazing with light
is the whitest and the tallest and the biggest one
all muscled and fine
when she runs

mama there's wolves in the house
mama i tried to put them out
and mama i know you're too wise
to wait till those wolves make nice	

Wolves (Phosphorescent Cover) feat. Gemma Alexander

'Oliver' was released on the 29th April 2016 via Trellis Records.

Purchase link: smarturl.it/Oliver-iTunes

www.facebook.com/brrookebentham
twitter.com/brookebentham

www.trellismusic.co.uk
twitter.com/trellismusicuk

Oliver

The immense @aswefallintostatic with a gorgeous remix of my track 'Never Be' from Carved From Tides.

http://tomadams.eu/
https://www.facebook.com/aswefallintostatic

Never Be (Tom Adams Remix)

Emiliana Torrini - Sunny road

Satellite

• Third and most accessible album by icelandic experimental pop artist Sin Fang
• Recorded & produced by Alex Somers (producer of Sigur Rós & Jónsi)
Although there is a certain reassuring quality to evergreens – you can rely on them to never drop their foliage – it’s the flowering plants, the ones that bud, blossom, and bloom, which really light up and even define a season. This is exactly what happens on Flowers, Sin Fang’s third solo album: Seabear’s founder and mastermind unlashes a melodic spring storm and explores even more corners of the lush and baroque gardens he spent the last five years in.
Following his Half Dreams EP, Flowers is a solo album that nevertheless opens with a lot of collective chanting, a sense of deep rootedness, togetherness, unity, shared experience: “We were young boys, smoking in the woods, I showed you how”, are the first words Sindri Már Sigfússon aka Sin Fang scatters across the less-beaten tracks, only to leapfrog across the lawn and switch on the stage lights for his own take of stadium pop. Don’t worry, there’s nothing wrong with your ears: A song like “What’s Wrong With Your Eyes” would indeed sound infinitely awesome in a stadium setting – it’s so massive, so outspokenly pop, when the beat meets layered vocals and the piano comes in just at the right moments. “I was thinking a lot about pre-teenage and teenage feelings,” he explains. “The exaggerated feelings and dramatic thoughts that most teenagers go through: Love and rejection, the constant ups and downs... I thought Flowers was a good name for that theme as they are used both for sad and happy occasions.”
A few albums and EPs and make-shift DIY beards later (he went from paper to knitted goods and now likes them freshly watered and soon withering), Mr. Sigfússon has obviously learned how to cultivate the heaviest crops of the pops: indie-rooted but vast, quirky at times but crystal-clearly aiming at the stars in other places, there’s more tracks with huge sing-along gestures, more of that well-rounded surround experience now stripped of any insecurities. This is a bold statement that’s a million miles away from cliché Icelandic indie stuff, but instead shows that you can indeed be a sucker for outlandish prison tattoos and at the same time go for rather timeless orchestrations that unfold like springs, followed by summers and autumnal winds.
There’s clearly a ghost at work here, still carrying him away, as he gathers more and more rosebuds and moves from epically marching (“Look At The Light”) to overgrown power pop (“Not Enough”) and back via lots of oh-uh-oh-uh-oohs (going up and down like those distant hills you can’t stop staring at) to fast-paced bliss (“Sunbeam”). “Weird Heart” takes a look at the things one doesn’t care about as one gets older (“so many things don’t mean a thing to me”), while “Feel See” is a call for like-minded individuals out there, as it moves from section to section, pushing onwards, now hesitant and soft-spoken almost, soon hopeful about the answer to the question it poses: “Is there someone that feels like me, that there’s nothing to feel or see?” There’s lots. To feel. To see. To discover and dive into. At least in this garden there is.

Sin Fang - Young Boys

Bombay bicycle club • You already know

New EP, 'Waves & Waves' out now: https://lnk.to/TBRWavesandWavesEP

Listen to the single, rework and Spanish version of 'Let's Disappear' here: https://lnk.to/TBRLetsDisppear

New album 'Ocean by Ocean' out now: http://smarturl.it/TBROceanByOcean

Follow The Boxer Rebellion here: 
Facebook: http://smarturl.it/TBRFacebook
Twitter: http://smarturl.it/TBRTwitter
Instagram: http://smarturl.it/TBRInstagram
Google +: http://smarturl.it/TBRGooglePlus
YouTube: http://smarturl.it/TBRYouTube
Website: http://smarturl.it/TBRWebsite

Both Sides Are Even

Message To Bears is the alias of composer and multi-instrumentalist Jerome Alexander. 
Pre-order 'Maps' on limited edition white vinyl - https://www.diggersfactory.com/vinyl/281831
All other enquiries - messagetobears@live.com

Wolves (Phosphorescent Cover) feat. Gemma Alexander

Message To Bears

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