Don't be afraid
Put aside that fear
As the cloudiness comes
I'll be right here
I'll hold your hand
I'll take your weight
Just lean on me
As we wait...

The years pass
The tables turn
From a life and love
That simply were
No question marks
The lines were straight
They’re crooked now
As we wait...

Like an old film reel
The images float
Past my eyes
And that lump in my throat
Makes me tighten
My hold on your hand
My cries I swallow
My tears I fan
As we wait...

Bring me back
To an airy day
Paddling in
In the incoming waves
Trousers rolled
To knees exposed
Laughter loud and
Water cold
Hand held tight
As we jumped each time
The tide pushed us
Back in line
I close my eyes
I hold that thought
As we wait..

And I promise you
I won't love less
Won't loosen my hold
Through the cloudiness
My hand in yours
Your cushion my shoulder
It's simply time
We all must get older
Don't be afraid
I'll be right here
As we wait....

As We Wait

All songs on channel are original and copyright of Karen O'Mahony (c). 

You'll find me also here in my collaboration project with Johan Alm https://soundcloud.com/ashesfordreams

Welcome to my dusty and flyblown corner of SoundCloud! What a wonderful thing it is that SC provides a home for my roughs...These are originals on a battered ol Yamaha guitar...and a ZOOM H4N recorder! Be warned...only very rough! 

I record songs stripped down to the bones...in the vague hope that a really good song will still come across that way. Thank you everyone who comes to my channel and listens...even just for a little while.

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Independent Singer / Songwriter from Japan.

[1st album] "いつから 僕らは / Itsu Kara Bokura Wa" now available at:
Spotify（Download）
https://open.spotify.com/intl-ja/album/2qy82Om825NfpV1Zj2DPy4?si=-TlSJjx2QoGlUFahlgYB3A
AppleMusic（Download） 
https://itun.es/jp/ahH10
Amazon (Download):
http://www.amazon.co.jp/gp/product/B00KTPN5JO
BigUp! Shop（CD+8p Booklet） 
http://shop.mu-mo.net/a/item1/?jsiteid=BGUP&merc_no=AMMZ-00537
246 records （CD+8p Booklet） 
https://246records.wixsite.com/home/yoroley

Minstrel Singer meets Male Chorale



My relentless pursuit of the song.



Thanks for listening.

Pete Ham(Bad Finger) wrote a song called "Without You". It was a nice song but nothing special. That is until Harry Nilsson got a hold of it and created one of the greatest songs ever written. 

I love music for the creativity of it all.

https://soundcloud.com/short-loops

La vita è bella
💗 💗 💗 💗 💗 💗 
💊 💊 💊 💊 💊 💊
We need god

Hi! This is a private account, purely for playing my music through different media (for now) - but feel free to follow me! In this day and age, my self worth directly correlates to my follower count! Yay! Peer pressure! 🙂

Listen to Korima songs at www.korima.net


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Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

Spring Solstice


Winter Solstice 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.

Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

October 

Night migration of birds.

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September

Barn swallows bury themselves in mud in lakes



August

Barn owls and birds of prey on the move
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July

Watching bats emerge at dusk.

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June

walking in meadows




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May
The Dawn Chorus:  Ireland 5 am.
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April
First swallow of the year
Welcome, welcome
From out of mud in lakes
Were you resting there?



March

Unveils like a first thought
A whisper



February

"Nothing stands out yet", you said
As you looked over your shoulder
Broad and rounded, square and hunched
I thought I heard you say, "We are water
And over time we solidify"

Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

January
Snow white egret
among fields of greenandbrown
Are you lost in its vastness?
Bubulcus ibis.

DE-cem- ber
Silver EEL migration 
down river to the sea
on a moonless night

through
an obstcale 
of nets
Cutting blades
pollution
And 
Par -a -sites
White egret



December
Mild to touch, not yet winter
snow drop dropping still
daffodil 

November, can I surrender to your dying
Are you truly dying or surrendering



Is it not enough to be ALIVE, autumn 
As birds migrate thousands of miles, autumn
Of an inner stirring and outward knowing

Is BE-ING
to Our Mind
bor -ing

As summer turns, it turns
To autumn, autumn
The slugs and worms live at the root; 
The slugs eat the juice of carrot
Is it good for their EyEs too...?

I buried a 'th' in the soil
With vowels and nettles
And I, this eyE, aye, oh
This What...?
This sometimes
Known thing
Doesn't kNOW oh oh

Winter take, take these
Sor rows, lay them
Deep ee eep
To become worms
for the birds to eat


ever ever
Denied to

.
Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic design by Simon

As We Wait

monno