Calm & Steady series

- short tracks of dance music

All tracks were uploaded between 07/2020 and 03/2021, with the following older exceptions:
. . - Home Sweet Somewhere "Mirie it is"(#12): 4 years,
. . - Ghajaria sounds "Do you love me?"(#15): 4 years,
. . - 2oreilles (Pierre Labbé)(#6): 2 years,
. . - Mount Echo "Silence"(#9): 12 - 23 months,
. . - Boskko "Volcanize"(#16): 12 - 23 months.

The other series (short tracks) so far are:
- "Hard-Fast-or-Nasty" (more intense/abrasive)
- "MiddleLane", and "Superdance" (the middle, or ambivalence)
- "Funky-Dub-Trap" (terminology conundrum)
- "Fantaisies" (for professional dancers only)
- "Minimal"
- "Dark"
- "BreakB-Jungle-DnB"

There is little overlap between them, mostly between: *
. . A) MiddleLane, Superdance
and
. . B) all other series

* Increasingly there is some overlap between "Calm & Steady" and "Funky-Dub-Trap", and between a bunch of others (Dark, Minimal, ...). I'm trying to keep it to the minimum, the overlap, tracks finding themselves in more than one playlist

HK_Calm-&-Steady_tracks_85

Desolate

Pierre Labbé Sextet - Chaman (Diversion)

a fleeting manifestation of matter
by the ultimate maintainer
a designer and arranger
the great attractor is in everyone
the great attractor is true

ॐ

in d flat minor
written, performed, recorded and mixed by viola moonshape in february 2019
mastered by christofer stannow @ cosmos mastering, stockholm
copyright © 2019 viola moonshape

ॐ

green sandpiper (tringa ochropus) > sm58 > boss rc-505 (pitch bend) > tascam (track 01)
korg wavedrum (value 14) > boss rc-505 (loop) > tascam (track 02)
korg wavedrum (value 02) > tascam (track 03)
yamaha reface cp (wr, chorus) > tascam (track 04)
yamaha reface cp (cp) > tascam (track 05)
gibson es-335 > tascam (track 06)
2 drum sticks > boss rc-505 (pitch bend) > tascam (track 07)
fender squier precision bass > tascam (track 08)
gibson es-335 > vox ac15 > sm57 > tascam (track 09)
yamaha reface cp (rdii) > tascam (track 10)
vocals > shure sm57 > tascam (track 11)
vocals > shure sm57 > boss rc-505 (filter + reverb) > tascam (track 12)
vocals > shure sm58 > boss rc-505 (guitar to bass) > tascam (track 13)
vocals > shure sm57 > boss rc-505 (reverb) > tascam (track 14)

ॐ

cover by brahma
photography by brahma "where are you, ansel?" (2001)
copyright © 2019 brahma

ॐ

The Great Attractor

My Music Videos

https://dominiquelebars1.bandcamp.com/track/affres
https://www.instagram.com/dominique_le_bars/

"Affres et folitudes aux franges du jardin
Au loin les bruits de sang d'un carnassier de raçe
Un royaume interdit, un éden sans fin
Lançinant à l'oubli d'un passé de grimaces"

Affres ( Guitar solo )

Silence

High quality: https://dominiquelebars1.bandcamp.com/track/la-declaration-de-vie

La déclaration de vie ( Low quality )

Melancholy of northwestern France... Huge gray-blue sky, beautiful wild sea and heavy rain.

Northwest Blue

Album

https://soundcloud.com/dusboblaze/ghost-instrumental
releasing spirits
voice was a sample
https://soundcloud.com/dusboblaze Good guy, Great singer and songwriter and a Wizard on the guitar. 
on 10/21/2019 hiss removed from intro

Ardens/Ghost by Dusboblaze

Recorded at bedroom and Artracks studios, mixing and mastering at Artracks studios by George Priniotakis.

Exhausted

IN ROBOT WE TRUST

MAN MACHINE RHYTHM (feat. Kaori Hanai)

101 Sleepwalker

and it comes around again

Music by Vinlandsraud (Ketil Strøm)
Lyrics by Pax Loyu (Renathe Bendiksen)

Check out our other platforms, spotify, youtube, iTunes, etc, etc... Cheers!

We are Time

"Beyond" of the "Between the Horizon" EP

Buy: https://airflo.bandcamp.com/album/between-the-horizon
Instagram: https://www.instagram.com/airflo_/

Between the Horizon

Beyond

This track is a lyrical song with a piano and strings as the main. I hope you can relax and listen.


https://youtube.com/channel/UCUYRIEC77uN5JoGpK4ztCPg

不穏な展覧会 Disturbing exhibition

Music produced by @petemogambo
Lyrics and vocals by @cievilmomo

People walking all around me.
I am staring at the ceiling.
Nobody, no body could have this feeling. 

Outside.
I dance.
Out of the body.
 
Outside.
I dance.
Don’t need somebody.

People walking all around me.
I am staring at the floor.
Nobody, no body can reach the door.

You smoke and I surrender.
You go outside.
I dance and I pretend,
we are kissing outside. 
  
Outside.
I dance.
Out of the body.

Outside.
I dance. 
Don’t need somebody.

Outside

Outside (Produced by Pete Mogambo)

Mount Echo is a synthgaze band from Athens, Greece. Their music is a combination of shoegaze riffs and vocals blended with a synthwave orchestration. 
Mount Echo was formed during the summer of 2018 by the two members of the electro duo Fizz4, Alexios Othon Theodoridis and George Tsitsanis, later joined by Othonas Tzamtzis on bass. Together they worked on some original compositions of Alexiοs and later on, they decided to collaborate with  drummer Dimitris with whom they procceded to recording their debut album "Garden house meditation".
Follow us on FB to receive our latest updates.

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Silence

Mount Echo

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