Your style kind of reminds me if Mac Demarco is mixed with LSD infused electronic beats. You have such an indie style but mixed experimental sounds and im here for it☺️ love it!!

Tremendous quality track in any way, from composition to production, and excellent lyrics on a topic that's rarely used. By the way, i need a cigarette now :-)

Main parts --- nylon and steel string acoustic with some electric guitar overdubs later. A kind of study, with some almost experimental electric guitar ornaments. Recovered the acoustic guitar files, fixed them up, and glued it together! A bit of unevenness in the quality means best on earphones I think.

Step into the Light

Vocal Copyright Nat Daniels 2022
Lyrics and Melodic Composition Copyright Andy Hall & Gary Brown
Produced by Andy Hall

I was thrilled when Andy and Gaz invited me along on this collaboration.  The Lyrics are beautifully written and sung by Gaz and lends itself to great story telling. It was lovely to join him and to bring my creative spirit in harmonisation to the table.  Andy wrote the beautiful melody and created the gorgeous Instrumental track (which has a hauntingly beautiful Guitar solo) and then brought it All to life with his incredible Production / Mixing skills, breathing life into the song,  and giving it a depth of sound to make it "sparkle". 

I urge you to check out these talented folks' individual page links below..
Ladies and Gents.. I give you the Conscience of Kings.   

Noobly :  https://soundcloud.com/noobly-1?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Gaz Brownie :  https://soundcloud.com/user-755327533?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Lyrics:
Our Devine intervention - Gary Brown and Andy Hall.

Standing on the bridge
Staring into the water
(I’ve kept you waiting
An hour and a quarter )
My Head tells me to leave
My hearts a little more naive
(We’ve had 27 days apart
To rekindle this flagging heart )

Chorus
Our Devine intervention
When we had each other’s attention
To were I love being yours
And you love being mine
Our Devine intervention
Needs to work for us this time

V2
Finally you arrive in your own chaotic style
(So my car went and broke down
And i walk the last 3 miles)
I get the big puppy eyes
And a cute little sorry sigh
(What lies beneath in this rivers deep
Are the same things in the
secrets we keep)

Chorus
Our Devine intervention
When we had each other’s attention
To were I love being yours
And you love being mine
Our Devine intervention
Needs to work for us this time

V3
(Let’s stand back to back
Walk in a different direction)
If we just keep right on walking
Then we have lost all affection
(If we both look back and then we stop
We won’t lose what we’ve got)
Well I stopped and looked back
(I kept walking down the path)

Chorus
Our Devine intervention
When we had each other’s attention
To we’re I loved being yours
And you loved being mine
Our Devine intervention
At least we know now this time

Divine Intervention - Nat Daniels & The Conscience of Kings

self examination

I am ME, and I am You-min. Anything else within these two lines is simply... All Good. 

Making up boxes, no matter how one frames it, is just prop-a-gating the same ole' divisive cracks under a fresh coat of bad faith-paint. So stop marking up tribal bounds, and instead, let's all BOND within the only Spectrum that should really matter: this gorgeous You-n-I-verse that we all share.

****************************************************  
LYRICS

How do you grope about
with eyes popped wide when there's no view 
of what stretches behind the salt suss-pression of 
your sticky-sweater skin?

Do fingers ball up, full exploratory-like
Flail away in fistfuls
Fuzzy flurry of Punch & Ply
Do digits dance delicate 'twixt the dunes
to dowse what fiery diary swells within?

***

Why do we trope around
Big Lies plopped down wide open, peer-review
a spectrum skew molded by-the-bi trap within?

Genitalia vibrant stroke impressions
Hexadex or Binary, veiled hue expression
'Box be box' in spite of facets or dimension --
it still walls us in...

***

What makes a fellah-fellah
...stakes a sistah-sistah
...slakes a mallow-yellow
...wakes a mistah
Whoda howda whyda focus on special 
kindsa tribal lines and gloves?

What fakes a feelah-feelah
...cakes a mistah-sistah
...shakes a twistah-listah
...breaks a blistah
why wouldn't ya want an all-encompassing 
kinda it's-all-good full life to love?

***

Why do the hokey-pocus
...lose the larger focus
...choose the lie that chokes us
...rue the roost with spose-dahs?

You R you N you Are you-min
time to toss the tribes
and share one

LOVE

****************************************************

Gro(w)ping Thru The F(l)og

Spring jam (v2) 18 August 2023

Ballroom Echoes by Jeamland & joerxworx

Music & Mixing: Zpeters and James Toburen

Moon Base Bass

Moon Base Bass (w/ Zpeters)

Project RESIDUE (As the Crow Flies)

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Sync Study

Maryhead

Can I bum a cigarette?

Lyrics:

Heart dripping on the floor
Like a river's edges
And I'm gone on the floor
Waiting till you break
When you wake, let me know
And Ill steal a light
Baby I'm assimilate 
Baby I'm assimilate

And you know the car hid all the cigarettes
Keep it going
Light up in the silhouette
Keep the locked doors 
Out of the sunny day
Never want to know about it
I only know that

I need a cigarette, someone save me
I need a cigarette, someone save me

Cigarette

Neon Dayze

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