eyval music cover music hamechish shabihe sabk karaye bjork shode edame bedin vocal farsi biarin rosh khoda mishe

this is one of my favorite moments in music history, thank you for creating it

binny

the keys - service:  https://nvrec.bandcamp.com/album/the-keys-service

"обезличенный даб для персонального прослушивания"
music - fgpjy (bass, drums) psor (pads, synths) dj warm (synth, noise)
artwork – cybersuicide
mastering – OL
© NVREC 2022

© NVREC 2022

[NVR12] the keys - 5

SloMo A/V (Excerpt)

In uno spazio immenso

Altrove, lontano

Mastered and Mixed + Chopped & Screwed by ExBestFriend

Dj Masque Mane Intro ( Chopped & Screwed ) ( Remastered )

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Wide Open

Ólafur Arnalds & Nils Frahm - Wide Open

'Howl' is the new album by Rival Consoles, London-based electronic producer Ryan Lee West, set for release through Erased Tapes on 16th October 2015.

Pre-order it on (Ltd. Red) 2xLP · CD · DL here: www.erasedtapes.com/store/index/ERATP076
or via iTunes: snip.ftpromo.net/howl

Foremost a guitarist, growing up listening to rock rather than club music, West continues to strive towards finding a more personal balance between music for home listening and larger spaces. The title track was inspired by the howl-like tones he developed by running synths through guitar pedals.

"By slowly drifting the pitch through distortion and delays, the result sounded like vocal cries – something which was perfect for the song and this inspired me to take on a darker set of tones across the whole album. It was made over the past few years, inspired by capturing small performances on synths, touring with some of my musical heroes, playing with feedback when I should have been catching a train, sampling my voice in unexpected conditions and recording textures in different countries.”

The album explores a wide range of emotions; from the dissonance eruptions and primal rhythms in 'Howl', to the mournful improvisations of '3 Laments', which features a sample of his own voice. Alongside his performances on Moog, Prophet, tape delay and guitar, West enlisted the help of drummer Fabian Prynn for ‘Low’ and cellist Peter Gregson for ‘Walls’, both long-time collaborators of Erased Tapes peers Douglas Dare and Michael Price.

"This album features a lot of my own recordings, rather than simply using samples that I have sitting on my computer. This gives the album a more personal feeling, which is very important to me because I think we live in a time where there is just so much recorded material out there, and accessible at a click of a button, that the joy of recording your own drum sounds, your own percussion, your own claps, seems redundant – but it’s not! That should be a priority because its often more interesting and makes you choose a different creative path."

It’s rarely reported that Rival Consoles was Erased Tapes' very first signing, with a CDR of early demos under the name Aparatec that inspired founder Robert Raths to start the label. Indeed West has more in common with his contemporaries Nils Frahm and Peter Broderick than some might think. His consistent desire to create a more organic, humanised sound sees West often draft early ideas on traditional, acoustic instruments like the guitar or the piano; forming pieces that capture a sense of songwriting behind the electronics.

"I try to create atmosphere and mood throughout with a less-is-more approach to composition. I'm always trying to find an exciting reaction from a few ingredients, because that is magic to me. To make something interesting with tons of layers of effects just doesn't excite me. But to make something interesting with just three layers requires a special alignment of sounds, ideas and timing. This is my most personal work to date, following on from 'Odyssey' and 'Sonne' which gave me the confidence to continue exploring my own ideas and approach to sound. The essence of this album was made with a few synths, some guitar pedals and lots of cups of tea. I hope you’ll enjoy it."

Having repeatedly performed at such prestigious venues as the Tate, and having created a bespoke audio-visual performance for Boiler Room at the V&A Museum, the blueprint for West’s current live A/V show was formed. Featuring self-programmed visuals in Max/MSP has earned him appearances at music festivals around the world including Mutek, Decibel, Big Ears and Berghain’s Pop-Kultur Festival, as well as tours in support of Clark, Nosaj Thing, Luke Abbott and Kiasmos.

Howl

Walls

Rival Consoles - Walls

'Howl' is the new album by Rival Consoles, London-based electronic producer Ryan Lee West, set for release through Erased Tapes on 16th October 2015.

Pre-order it on (Ltd. Red) 2xLP · CD · DL here:
www.erasedtapes.com/store/index/ERATP076
or via iTunes: http://snip.ftpromo.net/howl

Foremost a guitarist, growing up listening to rock rather than club music, West continues to strive towards finding a more personal balance between music for home listening and larger spaces. The title track was inspired by the howl-like tones he developed by running synths through guitar pedals. 

"By slowly drifting the pitch through distortion and delays, the result sounded like vocal cries – something which was perfect for the song and this inspired me to take on a darker set of tones across the whole album. It was made over the past few years, inspired by capturing small performances on synths, touring with some of my musical heroes, playing with feedback when I should have been catching a train, sampling my voice in unexpected conditions and recording textures in different countries.” 

The album explores a wide range of emotions; from the dissonance eruptions and primal rhythms in 'Howl', to the mournful improvisations of '3 Laments', which features a sample of his own voice. Alongside his performances on Moog, Prophet, tape delay and guitar, West enlisted the help of drummer Fabian Prynn for ‘Low’ and cellist Peter Gregson for ‘Walls’, both long-time collaborators of Erased Tapes peers Douglas Dare and Michael Price.

"This album features a lot of my own recordings, rather than simply using samples that I have sitting on my computer. This gives the album a more personal feeling, which is very important to me because I think we live in a time where there is just so much recorded material out there, and accessible at a click of a button, that the joy of recording your own drum sounds, your own percussion, your own claps, seems redundant – but it’s not! That should be a priority because its often more interesting and makes you choose a different creative path."
 
It’s rarely reported that Rival Consoles was Erased Tapes' very first signing, with a CDR of early demos under the name Aparatec that inspired founder Robert Raths to start the label. Indeed West has more in common with his contemporaries Nils Frahm and Peter Broderick than some might think. His consistent desire to create a more organic, humanised sound sees West often draft early ideas on traditional, acoustic instruments like the guitar or the piano; forming pieces that capture a sense of songwriting behind the electronics. 

"I try to create atmosphere and mood throughout with a less-is-more approach to composition. I'm always trying to find an exciting reaction from a few ingredients, because that is magic to me. To make something interesting with tons of layers of effects just doesn't excite me. But to make something interesting with just three layers requires a special alignment of sounds, ideas and timing. This is my most personal work to date, following on from 'Odyssey' and 'Sonne' which gave me the confidence to continue exploring my own ideas and approach to sound. The essence of this album was made with a few synths, some guitar pedals and lots of cups of tea. I hope you’ll enjoy it."
 
Having repeatedly performed at such prestigious venues as the Tate, and having created a bespoke audio-visual performance for Boiler Room at the V&A Museum, the blueprint for West’s current live A/V show was formed. Featuring self-programmed visuals in Max/MSP has earned him appearances at music festivals around the world including Mutek, Decibel, Big Ears and Berghain’s Pop-Kultur Festival, as well as tours in support of Clark, Nosaj Thing, Luke Abbott and Kiasmos.

October 2015 will see West perform Rival Consoles debut headline shows in the UK, followed by North America and Europe mainland dates throughout the winter months. 

Ghosting

Rival Consoles - Ghosting

Pre-order ‘I AKA I’ -
Ninjashop: found.ee/iakai
iTunes: found.ee/iakai-it
Bandcamp: found.ee/iakai-bc
Spotify: found.ee/ashkoosha-sp

Taken from ‘Biutiful’ released 18th March 2016 via Ninja Tune.

Follow Ash Koosha -
Facebook: found.ee/ashkoosha-fb
Twitter: found.ee/ashkoosha-tw
Instagram: found.ee/ashkoosha-ig
Soundcloud: found.ee/ashkoosha-sc
YouTube: found.ee/ashkoosha-yt
Spotify: found.ee/ashkoosha-sp

Artwork by Negar Shaghaghi

www.ashkoosha.com
www.ninjatune.net


I AKA I

Biutiful

Ash Koosha - 'Biutiful'

Bot1500 - Split - 8 (Papua New Guinea Hybrid Monoteaser)

[E95_065] W¯¯ - 该水我抱在我手

这是故事结束的地方。 在关闭和开启一时的命运的无限循环中。 从欢乐到痛苦。 这些是我
们握在手中的小时刻。 通过斗争，我们找到了希望。 通过希望我们找到了斗争。 这些是我
们心中难以忘怀的时刻。 从苦难到幸福。 在威望的定义实例。 这是故事开始的地方。

Out 7/07 on E95

@watchingwaters

NOW AVAILABLE >>> http://bit.ly/2zjSMlf

该水我抱在我手

Full Album

W¯¯ - 在扭曲的水中受损的灵魂

Le Cœur

3D Eternal Existence

Taken from Om Unit X Kid Drama 'Untitled Works EP' 01/03/19
http://smarturl.it/untitled-works-ep

AMB1905

Om Unit X Kid Drama - Untitled 1

After the release of her sublime, critically acclaimed sophomore solo album ‘Penelope Two’, Penelope Trappes and Houndstooth are pleased to announce ‘Redeux’; an album of top-drawer reworks of tracks from ‘Penelope Two’, which showcase not only the intrinsic brilliance of Penelope’s composition and performances, but also her far-reaching and all-encompassing musical influences and significance. 

http://hndsth.lnk.to/Redeux

“There were no preconceived notions of how the reworks would work together, just total freedom. I’m absolutely in love with all of these! I never really thought I’d get the chance to collaborate with such an array of creative artists who have inspired me, but at this point, I’ve learned to never say never” explains Penelope. 

A1. Burn On (Mogwai Rework)
A2. Carry Me (Cosey Fanni Tutti Rework)
A3. Maeve (JFDR Rework)
A4. Farewell (Johnny Hostile Rework) 
A5. Night Hive (Paul Corley Rework)
B1. Nite Hive (Nik Colk Void Rework)
B2. Connector (Aasthma Rework) 
B3. Farewell (Throwing Snow Rework)
B4. Kismet (Poppy Ackroyd Rework)
B5. Burn On (Félicia Atkinson Rework)

http://www.penelopetrappes.com/


Penelope Trappes 
‘Redeux’
Released June 7th 
Houndstooth 
Vinyl / digital

Redeux

Burn On (Mogwai Rework)

Buy LP / Stream

Penelope Trappes - Burn On (Mogwai Rework)

Originally intended for dutch emcee/producer Limo Depri.  The years have past and this track could use a little dusting off.

Big Pauper - Wasted on the Young (unreleased instrumental)

Taken from the 7" single "Lying In The Sand"

Produced and Recorded by The Orange Revival with help from Alexander Eldefors.
Mastered by Pete "Sonic Boom" Kember.

Buy it here:
http://www.normanrecords.com/records/146329-the-orange-revival-lying-in-the-sand-

I Ain't Gonna Miss You

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

Ash Koosha - 'Biutiful'

Ninja Tune

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