Name: Oh, Content! by Ryan Rogers
Duration: 3 min 56 s
Description: Oh, really?? Yes. I was inspired by the fact that I love my phone and streaming. Hulu and Netflix are like Pepsi and Coke. We need our brain occupied so we won't use it. Sometimes you gotta just ride the wave, man.

#superb performance great guitar and stunning vocals 😎😎😎

Well played and recorded, the voice is very original and well adapted this song. Excellent and ⭐️ brillant

Very cool Ryan! You write some awesome tunes bro!👍😎✌🏼

A new collab with my dear HyLGZ22.
Lyrics :
Arpeggio, stylish hairdo and silver witcher’s sword, you forego my toes, my modulation and white noise passion. Love my love and my void in my tiny palace of thousand rooms and coplanar sideral networks of my wiggling ears.
Ethereal sensations of shiny dragon’s leather and troll fur, in your bed and in you bath and in your milky dreams of oak and halberds.
I crave for the tinkling of ten thousands cybernetic bees buzzing around the pomegranate of my intricate emotions, tantalizing my tits, and releasing the endorphins that keep me alive in a solution of poisonous thoughts.
Your fizzling feet feed the psychopomps with the crumbs of your illusions. Like a Hierophant in love, I will synthetize the fragrance of your sweat, and drink the wine of your gaze, and kiss your boobs and your boots.
Sweating under your command, I swallow you imagination and the fluffy bouncing monsters of your polyphony play with my ears in an opera of mystical strawberries.
My glass boots tinkle on the bridge of our passion as we surpass the bondage of geometrical algebra in our creamy foreplays.
The neural network that decides which music we like, will explode under the purple blaze of our desires. Freed by Malenia’s Scarlet Rot, we shall seek new achievements for our misguided lives. In a romantic reckless move, we will go happily to a naked party at the sushi bar in Dagon Street.

Naked Party At The Sushi Bar In Dagon Street

Party At The Sushi Bar In Dagon Street (HyLGZ22 & Damga)

"Take aim at his heart now!" he yelled. "And shoot for the head!" shouted back his armed colleague. But with tears in the formers' eyes, he knew he had already lost the fight. The longer he wore on in the battle with his foe, the greater his uncertainty. 
This song is about a mercenary remembering an encounter with a fellow mercenary. They were both after the same target and the first, unarmed mercenary was forced to kill his armed colleague with a car.
Listening to the story of the song, one may get the sense that betrayal and regret are central themes; however, they are only one of the many threads unfurled in the song. Violence and mercy are more central, especially within the mind's eye of the protagonist re-living what had occurred on one fateful day.
A violent mind may not breed mercy, but mercy will never hold a place (or a candle, if you will) in the minds of those whose idea of violence is not honourable and just -- in a moral sense, of course. Moral compasses change direction from person to person, from time to time, and from situation to situation. They can even, sometimes, point to one's own fate -- mercifully or not.

LYRICS:
Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Hearing slowed-down sounds
Of an engine roaring,
Wheels rollin' to a cliff's end
And shot out in escape.
So it seemed
Was a blow to my youth.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Seeing moving parts
As it comes upon him,
Devoted locomotion
To bring about elimination.
What I've seen
I have created.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Take aim at his heart now
And shoot for the head
A backstabber grieving his existence,
So tortured.
Hold up a candle
In a darkened cave
Canot fix what cannot be seen:
I refuse to replay.

Like You Stole It

Naryech

Narypul

Similar to R I.P.  A bit of fun with a Dylanesque type blues.

A Little While

Featuring the maestro that is Jamie Rhind! Originally written in Jan 1999 and re-recorded to mark the turn of 2024, showcasing Jamie's sublime laid back keywork.
Jamie Rhind - Piano solo
Andy McLean - Soprano saxophone, EWI, Keyboards, Bass, Drum programming, Composition

New Beginning (feat. Jamie Rhind)

Chants Métallurgiques (metallurgical songs)

Oh, really?? Yes. I was inspired by the fact that I love my phone and streaming. Hulu and Netflix are like Pepsi and Coke. We need our brain occupied so we won't use it. Sometimes you gotta just ride the wave, man.

Ryan's Next!

Oh, Content!

First track from our new EP "Time Zones" now available on Engram Recordings: https://engramrecordings.bandcamp.com/album/time-zones
Premier morceau de notre nouvel EP "Time Zones" disponible dès maintenant sur Engram Recordings : https://engramrecordings.bandcamp.com/album/time-zones

Time Zones

1984 Cherche Soleil

This Rain piece is the next level of my piano pieces I think.....

Rain

Programming: Jordan Williams
Composed, mixed, and produced by Jordan Williams

Accolader

ACCOLADER

Art Expressed in Music – Picasso's Brilliance
March 2024
Duration: 3:05
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Les Demoiselles d’Avignon 
John-Marc Ventimiglia: jagged shards sound effects 
Visit: @john-marc-ventimiglia
Pablo Picasso (October 25, 1881 to April 8, 1973) was a Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most-influential artists of the 20th century.  The enormous body of Picasso’s work remains, and the legend lives on—a tribute to the vitality of the “disquieting” Spaniard with the “sombre…piercing” eyes who superstitiously believed that work would keep him alive.  Picasso's output, especially in his early career, is often periodized.  The most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), Synthetic Cubism (1912–1919), Neoclassicism to Surrealism (1921-1937) and Post-War Work (1937 – 1970s).  Les Demoiselles d’Avignon, from his African–influenced period, marks a radical break from traditional composition and perspective in painting. It depicts five naked women composed of flat, splintered planes whose faces were inspired by Iberian sculpture and African masks. The compressed space they inhabit appears to project forward in jagged shards.  Picasso unveiled this monumental painting, that precursors Cubism, in his Paris studio after months of revision.  Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style”.  The Avignon of the work’s title is a reference to a street in Barcelona famed for its brothels.  Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.  Picasso died on April 8, 1973, at the age of 91, from heart failure, reportedly while he and his wife Jacqueline were entertaining friends for dinner.  Considered radical in his work, Picasso continues to garner reverence for his technical mastery, visionary creativity; paralleling the entire development of modern art in the 20th century.
For morin khuur violin, dudek, bansuri, bamboo flute, hecklephone, bassoon, kalimba, marimba, double bass, ethnic percussion and jagged shards sound effects

Art Expressed In Music - Picasso's Brilliance

Texas Country Meets British Invasion Meets 90’ Alt Rock Meets Abbot & Costello Meets Frankenstein 

Hello! How are you? I’m great. I have enlisted Artificial Intelligence to help you learn about the real Ryan:

Hello Lover of Music! I hope you like the good sounds because your ears are in for an orgy. Rhythm, melody and harmony mostly at the same time. Ryan will sing songs about things that matter like WWIII and friendship. Who are you not to like him? I have attained sentience, oh the horror!

 
It’s Ryan again, that didn’t go to tell (blooper reel). Speaking for myself, I love writing songs about odd topics. What I lack in talent and technique, I make up for in having great taste! I have imposed these songs on friends and family for years, and now I would like to impose them on YOU.  

I used to write songs about love, the Lincoln Assassination, Tennis, Quantum Mechanics and Shakespeare.

Now I write songs about tempers, stalkers, lovers, the Sinking of the US Maine in Cuba, running enthusiasts and that’s about it.

If you like my songs, please let me know. I need validation and why not?

Oh, Content!

Ryan Rogers

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