Delicious sound in exquisite creation 💚💚💚

Sibylle Pomorin, the tones, frequencies,you know how to tranport a person via sound!!!!

Hello. It's been quite long since I made a spacy track like this... Oh... yeah. :D

I'm happy that I made a new spacy track like this!!1 

(did I ever actually make a spacy track like this...? oh. well, now that's a thing, I guess)

Mana Weaver

Originally saved under the working title of 'Microspunto 13', this piece started out as a test of a Steinberger guitar I built from scattered parts found on the internet. I still own that guitar and it is one of my favourites and most used guitars ever.
The track was made in my home studio in late August and early September 2010 and never made it beyond the DEMO stage.
There is also an alternative version of the track with an electronic drum section created by Tommaso Fiori. I'm looking for it in the archives, as soon as I find it I'd like to put that one online too.

Summer 2010 (DEMO - September 2010)

Proud to present you this collaboration with Insatiable Void,
Original here:
https://soundcloud.com/insatiable-void/forgotten-path?in=insatiable-void/sets/forgotten-path-open-collab

Forgotten Path - Insatiable Void & Wivresse

K-Rodeo Clown

Made with my Korg SQ-64 and the Roland D70.
Recorded/played 64 step sequence which I speed up a bit and manipulates while replaying it with the sequencer, added delay to give it even more life.

Artwork by Gilbert Garcin: https://artfacts.net/artist/gilbert-garcin/17699

I Never Heard The Bell

Searching For The Afterlife

this fourth part of the playlist partially takes up the theme of the first track (which I would like to re-record as soon as possible) with the addition of several recordings over time starting from October 2021. 
some internal parts belong to independent projects and merged into this song.  The vocal is a voice message sent to me by the precious friend Ugo Pisco Lùmaja and has been treated with elektron octatrack mkII.  
the same sample has repeatedly used for the developing of other projects including: Last night dream pt.I 
I spent several days working out on the structure and trying to adjust the volumes to get an acceptable mix.
Hope you enjoy.

Work in progress.

Èṡili Eṡìlii (part.IV)

Anizatoop

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

Bandcamp

Notre-Dame

Marco Lucchi : analog synthesizer, piano and tape

found sounds
https://freesound.org/people/felix.blume/

for the current Naviar Haiku challenge
https://www.naviarrecords.com/2023/02/15/naviarhaiku476-birds-in-a-bare-tree/

***

Birds in a bare tree
Dance on windswept branches
Their waiting ballet ..

John Hinks

***

15 febbraio 2023

Marco Lucchi - A bare tree [Naviar Haiku # 476]

Electroacoustic Music 2023

Headphones recommended

Albireo

Composer Contemporary Music

Sibylle Pomorin (*1956) studied from 1975 until 1980 flute and saxophone at the Staatliche Hochschule für Musik in Münster, Germany. 

In 1984/85, she studied composition under Ernst Bechert in Hamburg, Germany and in 1994, she received composition lessons and an introduction to electroacoustic music from the American composer and electronic musician Alice Shields during a six-month stay in New York. 

Between 1982 and 1994 she toured with improvising musicians of the international scene and toured with her own groups and compositions through Europe and Israel. 

She received composition commissions for ensembles, festivals, broadcasting, and theatre as well as numerous prices and awards and was promoted by various working scholarships – inter alia in New York, Istanbul and Iceland. Scores publications and CD releases inter alia by Moers Music and in the Furore Verlag. 

Her music has been performed at international festivals for contemporary music in Europe, Israel, Mexico, Australia, Canada, Georgia, Japan and the USA.

Albireo

Sibylle Pomorin

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