Thank you for this work my friend, a brilliant poem, was a pleasure to join you for this track :)

Wow, this is so cool --and Working with Adam!! such a brilliant collaboration!!

Desert Winds of Saladin

Composition : Thierry Mfe
Mixage : Guillaume Gaudioso
Mode : 
Time signature : 5/4

Post Apocalyptic Syndrome

I want Lalisa to sing this song. I can hear her majestic voice on this.
This song is about helping people that are hurting. It is the most beautiful gift one can give. If we go through life without love then we are just going through the motions. Love and compassion is fuel.
If you know someone that is in pain. Reach out and just talk to them.
All my love, Tony.
                                                              LYRICS
V1: I stand in your light but i feel things aint right
I feel all your pain But i see we need to make it right

V2: Lord these angels follow me So i ask why
What do they ask of me
Chorus: Well the angels fly
              Today they fly Oh Oh
               I see them fly
I watch the angels fly

v3: Its up to me Its up to you.
      Its up to us. I see there lonely traces
      I see there lonely faces
      And we just walk on by Walk on by.
V4: You have the power deep inside
      To help someone and it just might be you.
       It has always been there inside of you
       Deep inside your heart Inside your heart  oh Inside
V5: Dont you know you can fly Dont you know you can touch the sky
       You can reach the sky  All you got to do is try Oh

Music: Tonybluestone
Lyrics: Tonybluestone
Vocals: Tonybluestone

Angels Fly

method: adam received a track with a reading and some subharmonicon from me, added instruments and turned it into this moving work of waveform art. visit his page here: https://soundcloud.com/adammajdeckijanicki
narration: coincidentia oppositorum and all that ....
image: copyright jo richter

poem / copyright jo richter:

der schaukellack blättert
in rostbraunen schuppen
hier spielt kein kind
es sind nadeln im sand

so hochgrau die wand
als taumle tag blind
zwischen staubaugenpuppen
kein vorhangstoff flattert

hier, wo sich sinne nicht nähren
hier sei die anmut zu finden
hatte der seher verkündet

hier, wo güte still schwindet
hier, wo die augen erblinden
kehre sie ein um zu gebären

interlinear translation: fair faced // the veneer on the swings flakes off / in rusty brown scales / there is no child playing / there are needles in the sand // the wall rises high and grey / as though day stumbled blindly / among dusty-eyed puppets / no fabric moves in the windows // here, where senses don't feed / here you will find grace / the seer had prophesized // here, where kind hearts are fading / here, where eyes are blinded / here she'd come to give birth //

sichtbeton - with Adam Majdecki-Janicki

You don't have to believe me
I'm not pleased I was right
I'm not proud of my life
I just see certain things 
There're lessons I've learned 
Wickedness in high places
I've discerned 
Are you hip to the subliminal
Why believe the words of criminals 
Put faith in this world 
You'll be let down 
It's far worse than you feared 
Yet it's far better too
There's nothing they can do
To stop love
We're in for dark days 
There's nothing they can do
To stop love
We're in for dark days 
There's nothing they can do
With their digital cage
I just see certain things 
Many times I've been burned
The powers of darkness 
Everywhere discerned
Are you hip to the subliminal?
Why believe the words of criminals 
Put faith in this world 
You'll be let down 




Faith in this World

Ce chill pour écouter son cœur, écouter son âme, écouter le silence de et dans la musique, celle des paroles amies, celle des voix chères , même celles qui se sont tues... c'est tout ce que fait l'œil aussi, quand il regarde en silence les œuvres d'art et se met ainsi à entendre ce qu'elles ont à nous dire au delà des mots, tout en rendant visible l'invisible

Quand l'œil écoute

Parametrica (2016) Anthology CD1 Track 12

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Utopia Nebula Grau

We sat in a small wooded grove on a broken log. While we sat there observing you, I thought to myself...

"He took an unsmoked cigar, put it on a balance and weighed it. He smoked the cigar, carefully tapping the ashes into the balance pan. When he finished, he put the butt into the pan, along with the ashes.

He weighed what was there. Then he subtracted that number from the original weight of the unsmoked cigar; the difference was the weight of the smoke.

You know you how it is. Tomorrow, and tomorrow, and tomorrow. Time creeps in its petty pace."

Bandcamp

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

sichtbeton - with Adam Majdecki-Janicki

sonic structures and silent stretches

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