Name: Night and Day - Dale Spader Remix by Painkillers
Duration: 4 min 51 s
Description: Remixed by Dale Spader of Unknown Records! Loving the organs :)

enjoying the kinda 80s vibes on this, great bass and atmosphere...reminds me a bit of echo and the bunnymen :)

that bass is so sweet 🤌🤌 whole vibe is epic. enjoyed!

This is a brilliant tune! It should have much more love.......I’m sure it will come.

Remixed by Dale Spader of Unknown Records! Loving the organs :)

Night and Day - Dale Spader Remix

Written for a family whose child has a medical problem, and because they were poor were were wrongly accused of it being the mother's fault. They battled the courts for four years.  He recently passed on from brainstem neurodegenerative disease that he had when the nightmare began.  Mayo Clinic now has his brain for research as his condition was so rare.


You can find the tracks he made here:
https://soundcloud.com/ourvoiceisking/tracks

She’s a single mother with a very low income			
He’s an eight year old who knows there’s nothing that he’s done
To be torn from his mother, his sisters and his brother
It’s the only life he knew and he loved it like not other

But you don’t give up, you don’t give up, you don’t give up, or give in
You know; you don’t give up, you don’t give up, you don’t give up, or give in

We’re always thinking of you Aaron, you’re always on our mind
We know your lonely, you know we love you all the time
How can some strangers say what’s good for you or I
There’s one who knows best, look in the child’s eye

The world is crumbling round me, its in a dizzy spin
With all I see and hear, my heart is full and breaking
I could end up on a mountain top or in a deep prison
But I know I never, never give up or give in

But we won't give up, we won't give up, we won't give up, or give in
You know; we won't give up, we won't give up, we won't give up, or give in

Don't Give Up

OPC - Don't Give Up

 Nights

Red Skies At Night

What an honor to add my acoustic guitars to this collaboration with ace electric guitarist, keyboardist, and producer Seagull, Soundcloud's Poet Laurette Peter, Soundcloud's Poet of the piano, Debra Buesking, and vocalists Clara, and Snowflake.  With this visionary and epic trilogy, we explore the human condition and the choices we must make that will determine our destiny as a race.  It is a longer work but a rewarding listen if taken as a whole, but can still be appreciated in smaller bites if time doesn't allow a nearly 16 minute commitment.  The first segment is "Lost" until 4:55, "Lament is from 4:56-10:14, and "Ghost of a Dragon" until the end.  
To experience the full impact of the "trilogy", one must see Seagull's superb and deeply moving film with "Next Choice" as the soundtrack; https://www.youtube.com/watch?v=XCA7MZSvEwI
Follow these fine artists:
Seagull @farout-music-studio
Debra @debra_buesking
Peter @user-264930040

Next Choice (Seagull, Peter, Debra Buesking, Snowflake, Clara, and David)

He's A Hunter ..
Like No Other ..
And a Keeper of the Flame 

In the Darkness
He's Your Brother ..
& He Knows Just What to Say

Wh-Who-Wh-Who-Wh-Who-Who-Wh
Who-Who

Wh-Who-Wh-Who-Wh-Who-Who-Wh
Who-Who

Wh-Who-Wh-Who-Wh-Who-Who-Wh
Who-Who

In the Darkness
Lit with Magic
Eyes of Nature
Truth will Say

Friendly Feathers
In All Weather
& He Knows Just what to Say

Wh-Who-Wh-Who-Wh-Who-Who-Wh
Who-Who

Wh-Who-Wh-Who-Wh-Who-Who-Wh
Who-Who

Wh-Who-Wh-Who-Wh-Who-Who-Wh
Who-Who
 
The Seer

The Seer

This is actually a remix of the song “Where We Want To Be” which I shared about four years ago when I first joined Soundcloud.   “Winter's Road” was in fact the original title when the song was written.  So I decided to fall back to that with this remix.   See what you think.

Thanks so much for stopping by.

[Credits]
Music / Vocals / Arrangement / Programming / Keyboards – Michael C. Lynn
Lyrics – Ron Carnell
Electric Guitar Solo (Intro & Ending) – Dave Cleveland @Band_in_a_Box
Piano Solo - John Jarvis @Band_in_a_Box

[LYRICS]
I cannot speak for all who stem
Long road less traveled as their way,
Nor question choices made by them
In days long past or nights long dim
By words they spoke and did not say.

(Chorus)
All roads lead to where we go
Where we go is where we have been,
So home’s just a word we know,
For where we want to be again.

From North to South, then back again,
I followed birds like all the rest
Escaping nature's snowy den
On roads I've seen and places been,
Forsaking roads that traveled West.

Repeat Chorus

For even home, it seems to me,
Is still a choice we all must face
From day to day and endlessly,
To choose if home is gonna to be
Another road or just a place.

Repeat Chorus

© Myst Songs 2018 / 2023

Winter's Road

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

Summer Day of Bliss

5/5 2023 Friday evening

Picture
Wolf - Rayet star

Mirage

Skottevången

MODULAR / 2020
Music: Paploviante
free download

MODULAR - Paploviante

The Painkillers.... a talented artist hailing from Manchester. Known for its emotive and introspective music, the band explores themes of pain, loneliness, and resilience. The unique sound of The Painkillers is marked by a blend of poetic lyricism and deep, introspective melodies, creating a reflective and immersive listening experience.

Night and Day - Dale Spader Remix

Painkillers

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ukelele - peter, Peter Harper

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