I felt very immerse listening to The End of Everything.  The growth of the instrumentation really great!

Beautiful work very atmospheric. Great strings

I like the piano melody emerging here. Very calm and adagio.    Returning to the melody in new voices, nice.

Jeremías, your musical productions sound very good. And this one too. Good atmosphere with minor keys, melodious strings, a dominant piano,. . . Congratulations!

So sad and heavy-hearted, very expressive.

Meditative piece, minimalist feel, emotive performance.

"The End Of Everything" by Jeremias Langsämmer unveils the German composer's fourth album, a masterful blend of classical, contemporary, and cinematic compositions. This musical opus intricately weaves together the timeless beauty of classical instruments with the modern allure of subtle synths, creating a sonic landscape that transcends traditional boundaries.

Langsämmer's ability to contrast light and shade is showcased in every note, leading listeners on a gentle yet profound journey into the realms of darkness. Sweeping strings and delicate piano melodies intertwine, evoking a symphony of emotions that resonates with the complexities of the human experience.

What sets this album apart is Langsämmer's adept incorporation of subtle synths, seamlessly integrated with classical instruments. This modern touch adds an additional layer of depth, creating a harmonious fusion that enhances the overall listening experience. The cinematic soundtracks within the album transport listeners to ethereal realms, where each composition becomes a cinematic vignette.

Embark on an immersive musical odyssey as Jeremias Langsämmer invites you to explore the delicate nuances of existence, masterfully blending classical elegance with contemporary allure. "The End Of Everything" stands not only as a testament to Langsämmer's artistic brilliance but also as a timeless exploration of emotion through the evocative marriage of classical and modern musical elements.

The End Of Everything by Jeremias Langsämmer. Classical, contemporary and soundtrack composer.

Siegfried Jünger's new album "Things Get Sharp" is available for preview track by track here... soundcloud.com/these-guitars-say-sorry/sets/things-get-sharp-by-siegfried

Living On The Bones by Siegfried Jünger

Jeremias Langsämmer's latest composition, A Stone Has Fallen, unfolds in three profound movements, each a testament to his mastery of classical composition. From the first notes, Langsämmer draws listeners into a world of introspection and melancholy, setting the stage for a journey through the depths of human emotion.

The opening movement captivates with its pensive and somber tones, like the weight of a heavy heart. As if tracing the descent of the titular stone, Langsämmer guides us through a landscape of introspection and contemplation. Yet, amidst the darkness, there is a subtle promise of hope, hinted at by delicate piano motifs that shimmer like the first light of dawn.

With the transition into the second movement, the mood shifts seamlessly, mirroring the gradual brightening of the sky at sunrise. The piano takes on a more prominent role, its notes dancing with newfound lightness and clarity. Langsämmer's skillful orchestration creates a tapestry of sound that evokes vivid imagery, as if witnessing the unfolding of a new day.

Throughout the piece, Langsämmer demonstrates a keen sense of arrangement, weaving intricate rhythmic patterns that add depth and complexity to the composition. The interplay between strings and piano is particularly noteworthy, with each instrument complementing the other in a delicate balance of dark and light.

In its entirety, A Stone Has Fallen is a work of cinematic grandeur, worthy of the silver screen. Langsämmer's ability to evoke emotion through music is nothing short of mesmerizing, leaving listeners spellbound from the first note to the last. With its clever transitions and visual storytelling, this piece transcends the boundaries of classical music, inviting audiences on a transformative journey of the soul.

A Stone Has Fallen (In 3 Movements): A Captivating Symphony of Emotion

The warehouse was bathed in sunlight. The band were set up for another session when Mike dropped into an elegiac and anthemic organ line and it went from there.  Matthias' drums resonated from the walls and "Sadness Blocks The Sun" happened".

Listen to the unfolding album here: soundcloud.com/these-guitars-say-sorry/sets/where-the-sun-stands-still-by

Laxá - Iceland | San Francisco | Everywhere

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards

Where The Sun Stands Still

Sadness Blocks The Sun

Sadness Blocks The Sun by Laxá

"Embark on a genre-defying journey with Jeremias Langsämmer's single, 'The End Of Everything,' where the distinguished German composer seamlessly blends classical, soundtrack, and contemporary classical elements. Langsämmer orchestrates a sonic masterpiece featuring the delicate interplay of pizzicato strings, resonant French horn, and celestial harp. The calm adagio piano, at the core of this composition, anchors the listener in a contemplative exploration, skillfully contrasting light and shade.

This genre-blending piece transcends traditional boundaries, offering a unique experience that goes beyond typical melancholic or despondent themes. Instead, Langsämmer introduces a nuanced sense of tentative hope, a distinctive characteristic that sets this composition apart. The reviewer's observation captures the essence of this musical tapestry — a serene acceptance of an inevitable 'End,' accompanied by the potential for positive transformation amid closure.

In the words of one reviewer, 'Well, I thought I was the king of gloomy songs. You just took over my crown with "The End of Everything" :-) Beautiful composition.' Explore the intersections of classical, soundtrack, and contemporary classical genres in this captivating single that defies genre conventions and invites listeners into a world of emotional depth and resolution."

The End Of Everything by Jeremias Langsämmer. Classical, soundtrack,  composer.

"Swallowing Knives" is a more electronic piece, slightly departing from the darker ambient works found on Siegfried Jünger's third album.

The album is available for preview track by track here... soundcloud.com/these-guitars-say-sorry/sets/between-the-daylight

Swallowing Knives by Siegfried Jünger

"Falling On My Feet" by Jeremias Langsämmer is a peaceful piano and string composition that uplifts and inspires. With its tranquil melodies, it creates a calming atmosphere, perfect for moments of introspection and relaxation. The harmonious blend of piano and strings delivers a soothing experience, offering solace and rejuvenation to listeners. This classical soundtrack is ideal for those seeking a serene and uplifting musical journey.

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Support this independent artist's work on Patreon at https://www.patreon.com/tgss where for as little as $1 a month you will receive a new composition weekly.

Falling On My Feet by Jeremias Langsämmer. [Peaceful piano music]

"The End Of Everything is Jeremias Langsämmer's 4th album of classical and post classical work.

You can listen to the rest of the album here soundcloud.com/these-guitars-say-sorry/sets/the-end-of-everything

Circling The Flame by Jeremias Langsämmer

Taken from "Between The Daylight", "Here Open The Gates Of Heaven..." is a hopeful soundtrack to possibilities.

Siegfried Jünger's third album "Between The Daylight" is available for preview track by track here... soundcloud.com/these-guitars-say-sorry/sets/between-the-daylight

The Last Crack Of Dawn by Siegfried Jünger

Symphony Of Scars by Jeremias Langsämmer

Recorded in a deserted warehouse late at night, if you listen carefully you can hear some of the ambient noises sneaking into the mix. The inspiration for the song was gifted to the band my Mike's old keyboard teacher, who played a Vox Continental in an underground psych band in San Francisco in the late 60s.

To this the band add dark, almost soundtrack like instrumentation over a hiss of constant feedback from Jussi's guitar.

Listen to the unfolding album here: soundcloud.com/these-guitars-say-sorry/sets/where-the-sun-stands-still-by

Laxá - Iceland | San Francisco | Everywhere

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards

Three Ways by Laxá

"I Am Yours" by These Guitars Say Sorry is a heartfelt singer-songwriter ballad that captivates listeners with its folksy charm and emotional depth. Delivered with the earnest gusto reminiscent of Billy Brag and echoing shades of The Cure, the song envelops the audience in a tender embrace from the very first note.

This singer songwriter track with subtle string and piano, paints a vivid picture of longing and nostalgia, drawing upon memories of yesterday and the poignant words once shared. Against a backdrop of masterful guitar work, each lyric is delivered with precision, carrying the weight of introspection and longing.

The lyrics themselves are a testament to the complexities of life and love, exploring themes of distance, reflection, and the passage of time. As the melody unfolds, listeners are swept away on a journey of introspection, pondering the fragile nature of existence and the enduring bonds that tie us together.

"I Am Yours" stands as a shining gem on "The Lunatic's Gift," the fifth album from These Guitars Say Sorry. It's a song that lingers in the mind long after the final chord fades, leaving behind a lingering sense of warmth and resonance. With its captivating vocals, poignant lyrics, and exceptional guitar work, "I Am Yours" is a testament to the timeless power of music to touch the soul.

Lyrics
I know it's all about yesterday
And all the things you used to say
When you weren't so far away
So far away from me

Yesterday I saw you smile
I haven't seen that in a while
I know I won't be back in style
Won't be back in style again

I thought I drew a picture
Of how life is meant to be
And when I saw it framed
I realized they had lied to me

If it wasn't for the first time
This wouldn't be the last
I know the answer I am sure
I just thought that I should ask

I am yours and you are mine
And the clock on the wall
Is only right
Twice a day

I am yours and you are mine
And the clock on the wall
Is only right
Twice a day

I Am Yours by These Guitars Say Sorry [Singer songwriter ballad]

After The End by Jeremias Langsämmer, a classical and symphonic piece inspired by Debussy, paints a dreamscape with strings, horns, and piano, evoking a serene and ethereal mood. Through lush harmonies and delicate melodies, the piece transports listeners to a tranquil place, where sunlight dances through the leaves and a sense of peaceful introspection pervades. Keywords such as soothing, calming, dreamy, and reflective aptly capture the essence of this evocative composition, inviting listeners to immerse themselves in its serene beauty.


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Support this independent artist's work on Patreon at https://www.patreon.com/tgss where for as little as $1 a month you will receive a new composition weekly.

After The End by Jeremias Langsämmer. [symphonic poem].

Step into a world where emotions resonate in each note, where the piano becomes a vessel for the depth of human connection. "Lunch At The Hawthorne" by Jeremias Langsämmer invites you into an intimate journey, reminiscent of Max Richter's poignant compositions. 

As the keys gently cascade, they weave a tapestry of tender moments and profound sentiments. Langsämmer's mastery of classical piano shines through, evoking a sense of warmth and nostalgia, like a cherished memory shared with someone dear. Each chord resonates with layers of emotion, echoing the intricate nuances of human relationships.

In this musical narrative, time seems to stand still, allowing the listener to bask in the beauty of the present moment. The melody ebbs and flows with a delicate grace, inviting reflection and introspection. It's a serene oasis where the complexities of life melt away, leaving only the pure essence of love and companionship.

"Lunch At The Hawthorne" is more than just a piano solo; it's a testament to the power of music to touch the soul and transcend the ordinary. With Langsämmer's artistry, every note becomes a whispered confession, every phrase a heartfelt embrace. So take a moment to immerse yourself in this symphony of emotions, and let it transport you to a place where love reigns supreme.

Lunch At The Hawthorne by Jeremias Langsämmer. Piano. Classical piano solo.

Taken from Jeremias Langsämmer's 3rd album "The End Of Everything", "You Defined Me" is a mournful orchestral piece from which shards of piano emerge.

You can preview the album here https://soundcloud.com/these-guitars-say-sorry/sets/the-end-of-everything

You Defined Me by Jeremias Langsämmer

"The Harrowing" by Jeremias Langsämmer experiments with mood and timing. The tension between notes on the piano played in irregular time, hanging in the air, expecting to be played but absent. A mournful and at times and atonal classical piece that resolves to a halting piano melody, synth drone and arrhythmic timpani.

The Harrowing by Jeremias Langsämmer. Contemporary classical.

Matan Arkin - Symbiosis


Tease Ep > https://open.spotify.com/album/5k1Un4nkZwbpSh2lzTtpMp?si=65N11MVwQ2qNzli0N-r-_Q


Artwork by Carolin Junge

23/03/2023

Symbiosis

Composer of music for film, games and live performance. Originally from the UK, now living and working in the Pacific Northwest. 
Ambient | Classical | Dark Jazz | Singer Songwriter | Post Rock

Support my work at https://www.patreon.com/tgss from $1 month. Thanks for your support.

Purchase my music on Bandcamp https://theseguitarssaysorry.bandcamp.com/

Licensing music for games and film.

Message me for details on licensing, inquiries, commissions and collabs.

The End Of Everything by Jeremias Langsämmer. Classical, soundtrack, composer.

TGSS/Langsämmer /Jünger/ Laxá/The Dark Messiahs

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