study set

Deep knocks and airy tones swirl together, as if you’re listening to the memory of a forest

Hollow Bark

Goliath's Butterfly

Resonance of Light by Jermaine Germaine is an exclusive collection of solo classical guitar works — no accompaniment, no distraction, just the intimate voice of nylon strings. Across ten original compositions, the album explores the contrasts of brilliance and shadow: delicate tremolo studies (Moonlit Courtyard), counterpoint fugues (Fugue in Six Strings), Andalusian sketches (Granada Sketches), and meditative nocturnes (Nocturne for the Last String).

Every piece is written to let the guitar’s natural resonance linger, with sudden silences, flowing arpeggios, and luminous harmonics. The result is both timeless and personal: an album where light glimmers through wood and string, evoking reflection, solitude, and quiet beauty.

✨ For fans of: Andrés Segovia, John Williams, Heitor Villa-Lobos
🎸 Signature sound: nylon-string exclusivity, pure solo resonance

Based on a True Story

Piano improvisation based on "imagine" performed by Jef de Roode. Piano: Yamaha CFX. Location: Zwolle, the Netherlands.

Imagine (John Lennon) - Piano Improvisation

Likeness

Likeness (for Piano Day 2016)

Album SOUNDTRACKS FOR IDEAL MOVIES by Kostas Grigoreas
"Music for your imaginary movies" 
Buy at http://www.cdbaby.com/cd/kostasgrigoreas3
=======================
Performed live by the composer

MATTINA LUMINOSA (2.Scherzo) by Kostas Grigoreas (K. Grigoreas solo guitar)

Sergio Assad's homage to Eli Kassner. Featured in Guilherme Vincens' CD Portrait from April 2011. Guitar: Brian Dunn 2006. Recorded, Mastered and Edited by GV in São João Del Rei, MG, Brazil.

Eli's Portrait by Sergio Assad, Guilherme Vincens - Guitar

"Pièce en forme de Habanera" by Maurice Ravel

Violin: Lelie Cristea
Piano Instrumental Accompaniment: Tamilla Guliyeva
Sound Recording by Arthur Jogerst

Video: https://www.youtube.com/watch?v=iTT_HLOb9g0

Maurice Ravel | Pièce En Forme De Habanera

stream / download: smarturl.it/letmetellyouastory

Copyright Zachary Bruno 2018. All Rights Reserved. Artwork by Elise Hoffman.

let me tell you a story...

Cello Suite No. 1, Prelude - JS Bach

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Download

Rough Take - Villa Lobos, Prelude 2

My special christmas mix.
Hope you will enjoy it and i wish you a merry christmas.

Note:
All tracks are written and produced by Boris Brejcha.
All tracks are still unreleased.
For any questions please contact:
mail@borisbrejcha.de

You can also download the full mix on:
http://www.borisbrejcha.de/free.html

Tracklist:
1. Puki
2. Spacecraft To Mars
3. Amisette
4. Prisma
5. Fidibus
6. Bebot
7. Happiness Lies
8. Anthurie
9. Angel In The Sky
10. Black Beauty
11. Fubbes

Boris Brejcha - DJ Set Number 1 - 2012

Please post which piece you think I should do next!

I love classical :)

Cello Suite No. 1, Prelude - JS Bach

willfruch

Recent comments

heyheycharles

CJME

Related tracks