An exceptional atmosphere with particular tones, some of which touch me deeply! Remarkable piece - ❤️🕊️🙏

intriguing eerie woodland harmonies...always captivating!

Great use of the stereo field! Very cool!

I hear whole tone sounds.  Rhythm section.  I love that.

Precision is amazing.  Well done!!  ✌️😑

This is brilliant, Nigel. How many tracks... 7?

To draw a straight line between NO LISTENS and the quality and substance of music is unadulterated, simple minded, rank stupidity, so don't be discouraged, if no one is listening to your music, it's likely because the right audience can't FIND your music!
>
The internet is now so FLOODED with music there is more chance of finding a needle in a haystack than the right audience finding your creations, but let's keep doing it for the love it anyway! 
>
Perhaps the time will come when those just seeking fame and fortune will wise up and drop out of the race, leaving the field clear for those motivated solely by passion, and perhaps prospectors, tired of being spoon-fed, fired up by curiosity, thirsty for authenticity and invention, may one day dig up those gems of yours, so KEEP ON KEEPING ON, let passion guide your creativity!
>
@StevenVellou

SUPPORT gathers MOMENTUM when RECIPROCATED vol 1

Supernatant

Bandcamp

Kistvaen

Atlanta’s “Bog Witch” and Boise’s “Mystic Tape Deck” announce the release of a new collaborative single, “Dogs of Chernobyl” to mark the anniversary of the Chernobyl Disaster.

Following the April 26, 1986 nuclear accident, the City of Pripyat was evacuated. The residents were forced to leave their pets (including domestic dogs) behind.  

Nearly 40 years after the accident, the descendants of these dogs are still living in the Exclusion Zone and a study is currently taking place. 

Scientists are sampling the DNA of the dogs. Apparently, their DNA is irregular in some interesting ways.

Wendy writes “I couldn’t sleep one night and picked-up my phone to surf when I noticed an article about the radioactive dogs of Chernobyl.  Right away it seemed like a song.”  

Wendy invited Mystic Tape Deck to collaborate with her in creating the sonic pallet for this song, the proceeds from all sales of which will be donated to the Clean Futures Fund. 

The Clean Futures Fund relies upon donations to provide medical supplies, vaccines, and food for the dogs living in the Exclusion Zone.  

Donate $1 or more to the Clean Futures Fund via Bandcamp and receive a download of the single: https://mystictapedeck.bandcamp.com/track/dogs-of-chernobyl

Find out more about the Clean Futures Fund:
https://www.cleanfutures.org/dogs-of-chernobyl/

Wendy DuMond: Lyrics, Acoustic Guitar, Vocals
PS Perkins: Electric Guitars, Bass, mallet snare, cymbal stack, midi
Ron Thomas: Drums, hand drums, shakers
Song by Wendy DuMond 
Produced, engineered, and mixed by Mystic Tape Deck
Mastered by Sid Hagan

https://soundcloud.com/mamby-p
https://soundcloud.com/mystictapedeck
https://mystictapedeck.com
http://www.okthenrecords.us/

Dogs of Chernobyl

Donate

"Dogs of Chernobyl" - Bog Witch + Mystic Tape Deck

Performed by Stefano Manotti

Lyrics and music by Stefano Manotti

Soulgem Records

TESTO
E camminavi fiera
Andavi lontano
Nel parco tra la folla
Pensavi piano
Portavi la bicicletta
Accompagnavi la tua stanca fretta
C’è una panchina al sole
Abbandonata
Ma i raggi dell’amore
Che l’han notata
Così seduta in un ricordo
Cercavi l’ombra di un ritorno
Speravi in una estate
Di un momento
Le labbra abituate
A un bacio lento
Un piede dentro e fuori dal mare
Una luna pronta ad affondare
Ma sono qui e ti guardo
Cade la bicicletta
Tra il nostro nuovo sguardo
Il passo si affretta
Ridiamo e piangiamo forte
Mentre d’amore facciamo scorte
E promettiamo ancora
Con desiderio
Che almeno questa ora non sia un delirio
Ma verso una nuova convinzione
Andiamo dritti alla stazione
E un treno che ci porta
Ci porta via
I nostri occhi chiusi
La malinconia
Torneremo a un tempo di cose storte
Ma dell’amore abbiam fatto scorte
Ma dell’amore abbiam fatto scorte


LYRICS

You walked proudly
You went far
In the park amidst the crowd
You thought quietly
You carried your bicycle
Guiding your tired haste

There's a bench in the sun
Abandoned
But the rays of love
Have noticed it
Sitting there in a memory
You were looking for the shadow of a return

Hoping for a summer
For a moment
Lips accustomed
To a slow kiss
One foot in and out of the sea
A moon ready to sink

But I am here and I look at you
The bicycle falls
Between our new gaze
The pace quickens
We laugh and cry loudly
While we amass love

And we promise once more
With desire
That at least this hour is not a delirium
But towards a new conviction
We head straight to the station

And a train that takes us
Takes us away
Our eyes closed
Melancholy
We'll return to a time of twisted things
But we've stocked up on love,
But we've stocked up on love

Scorte D'amore

Additional story here: https://mystictapedeck.com/mythology/the-mountebank/

Guitars, "townie" vocals, timbales, hand drums, drum kit, piano, toy piano, percussion: R Thomas
Guitars, "monty" vocals, melodica, omnichord, ebow, bass, percussion, toy piano, claps and snaps: PS Perkins
Additional guitar snippets: KVN Finch
Spanish guitar outro: Mark Wand

LYRICS:
----------------------------
(townie)
People in this town, they've all seen you hangin' around
They don't like it
They're not buyin' what you're sellin', standing' on your box and yellin'
They don't like it
Their sentiment is strong, and they asked you move along
They don't like it. They really don't like it.

(monty)
People in this town, one by one they sneak around
They seem to like it
They come and they go, they never let the neighbors know
That they like it
They may hide it from the rest, but their coins inside my chest say they like it
Oh, I think they like it. They like it.

(townie)
With your shell games and dice, I ain't tellin' you twice
I don't like it
They're down on their knees while you sell them your disease
I don't like it
With your slug milk and wine, they're just fish on your line
I don't like it I really don't like it.

(monty)
I am just a businessman, I make my living where I can
The way I like it
I am sure you understand, I'm just meeting their demand
And I like it
So there's no need to taunt, I just give them what they want and they like it, 
Oh I think they like it, and I like it

(townie)
They say that you're depraved, that you're sick and can't be saved
We don't like it.
And the medicine you sell isn't making them well
We don't like it.
So just get on down the road, if you'd like, I'll help you load
We don't like it. We really don't like it.

(monty)
My patience wearing thin, I take another one on the chin
Because they like it.
So I guess I'll up and go, take my tack and tents in tow
I don't like it
But your virtue is a clown, so I'll go to the next town
Where they like it. I'll go where they like it.
Where they like it.

BARDS:Of The Shimmering Seraphs

The Mountebank

Mark H. Davis - Percussion (@adamsrelic)
Cass Dvorak - Vocals (@user-501928298)
Rock Sinders - guitars and keys

Why do you always look so
sad about the future.
Why can't you forgive yourself
for things you did before?

Cause nobody promised you
this life would be that easy.
Someone so blue like you
will always ask for more.

But I... couldn't settle the score.
And I... couldn't follow, couldn't follow you anymore.

Well maybe the world around you
bent around you easy.
But baby you'll never learn to
bend along with things.

Someone so blue has never
been outside the city.
Someone like you has never
felt the way life stings.

But I... wouldn't settle the score
And I... couldn't follow, couldn't follow anymore.

Solo

So you can be blue like you
and leave without believing.
Wherever you go you'll never
be... here.

Never leaving, never believing
never could see your life that way.
Never leaving, never believing
never could see your life that way.
Never leaving, never believing
never could see your life that way.

And I'll be off livin' all my days...
believing...
Never thinkin' about those times again...


- V5.02

Someone So Blue

The HEART of the matter: deep down in the forest, the darkness below the tree canopy envelops a myriad of life forms - developed from and supported by the carbon captured from the atmosphere by the leaves up above.... 

After the last ice age (approx 10,000 years ago) over 50% of the Earth's land was covered by forest. This is now 26% and slowly decreasing.

[Image created from a painting 'Rainforest' by B Yucel c/o Pinterest]

Art of Darkness

Buoyant Lights

Rainy Holidy

Admire the Chaos 
A song for a strong independent woman who doesn’t suffer fools gladly and makes you admire her chaos.



V1 
I love the way you don’t suffer fools, gladly, and you tell them what you think
It must be your superpower and tonight you look so  pretty in ink 
And I love the shock on their faces 
It’s like you tied together their laces 


Chorus 
I will Sit back admire the chaos 
And watch it unfold 
I Sit back admire the chaos
And watch the room explode 

V2 
I love the way you are and stand your ground at the bar
And reduce grown men to become smaller than they are 
There’s always something scary about a woman’s scorn
But your not scary just chaos i adore


Chorus 
I will Sit back admire the chaos 
And watch it unfold 
I Sit back admire the chaos
And watch the room explode

Admire The Chaos ~ Conscience Of Kings

#uno #dawless #electronic #synth #soundcloud #bandcamp #electronicmusic #electronica #greece #alexandroupoli #jam #korg #volca #elektron #ikmultimedia #uno #music #studio #live #recording #yamaha #synthesizer #synthwave #acid #soundscape #synthesis #behringer #zoom #mooer #digitech #cycles #session #space

Flight Acheron - Πτήση Αχέρων

Cargo

Masked Blonde

Overture to Mnemosyne evoca el susurro de una eternidad olvidada, un himno sin palabras que viaja desde el polvo de mármol hasta los ojos de los dioses. En esta pieza instrumental, cuatro violonchelos entrelazan sus voces como si tejieran la memoria misma, recordándonos aquello que el tiempo, por temor o por vergüenza, intenta enterrar.

En esta oda sinfonizada a la diosa de la memoria, encontramos a un joven Yridichenko viviendo entre las columnas de la Antigua Roma, camuflado bajo el nombre de Aelius Mnemon, esclavo de un senador amante de las artes y los enigmas. Aunque reducido a servidumbre, Aelius portaba en secreto la herencia sincrónica de su linaje, resonando con fragmentos de memorias que no eran suyas, retazos de mundos lejanos, de civilizaciones que aún no habían nacido.

Por las noches, en los jardines del Palatino, Aelius tocaba un instrumento extraño que él mismo construyó con restos de un naufragio etrusco, uno que parecía un antepasado del violonchelo. Lo hacía en honor a Mnemosyne, a quien sentía como una sombra amorosa que lo guiaba desde otra dimensión. Las melodías que extraía no eran composiciones suyas, sino recordatorios, pulsaciones antiguas que despertaban lágrimas en los ojos de quienes las escuchaban. A veces, el mismísimo emperador enviaba emisarios para que lo espiaran, convencido de que aquel joven esclavo tocaba músicas que solo los dioses conocían.

Durante un eclipse, Aelius fue llamado al templo de Vesta, donde tuvo una visión: una figura de ojos constelados le ofrecía una copa con agua del Leteo, diciéndole que si bebía, olvidaría su misión, pero viviría libre. Rechazó el olvido. Y por ese acto, Mnemosyne le susurró el primer acorde del Overture —el que abre esta pieza— y lo selló como Guardián de lo no dicho.

Esta obra es un fragmento de ese recuerdo. Un testimonio de cómo el alma de Yridichenko caminó por la historia como testigo anónimo, y cómo, entre las ruinas romanas, dejó inscrita en el viento una sinfonía que aún hoy susurra:
“Recuerda, aunque los imperios caigan, la memoria es un dios que jamás muere.”

INSTRUMENTAL
Cuarteto de Violonchelos

Overture to Mnemosyne (Instrumental)

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS ARE DOWNLOADABLE] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.

In the WRONG PLACE at THE WRONG TIME with THE WRONG MINDSET, apparently making THE #WRONG #MUSIC, but it feels #RIGHT to ME!

Highly unlikely more than one of my tunes will ever be heard by more than a handful of listeners, so just for the record here is an incomplete list of artists my music has been compared to by other musicians, depending on which tunes they heard, StevenVellou (Gothic Funk)

RESIDENTS, PHILIP GLASS, DAVID BYRNE, FRANK ZAPPA, THE BEATLES, BAUHAUS, SISTERS OF MERCY, DAVID BOWIE, LOU REED, CAPTAIN BEEFHEART, PARLIAMENT, SYD BARRETT, PINK FLOYD, PSYCHIC TV, NEU, MOMUS, MINISTRY, CHARLES IVES, BEACH BOYS, KINKS, THE FALL, JOY DIVISION, DEPECHE MODE, GARY NUMAN, LEONARD COHEN, STONE ROSES, GIORGIO MORODER, GEORGE CLINTON, THE CURE, DALIS CAR, JOHN ASTLEY, KILLING JOKE, ALIEN SEX FIEND, ROBERT FRIPP, DEVO, B52’s, IAN CURTIS, FAD GADGET, TALKING HEADS, GORILLAZ, MIKE PATTON, JON ZORN, LES CLAYPOOL, STEVEN REICH, TOM WAITS, THE EX, TOM CORA, THE CAKE, NAPOLEON XIV, KEVIN AYERS, ROXY MUSIC, FRANK TOVEY, RUPERT HINES, ROBYN HITCHCOCK, DEVIN TOWNSEND PROJECT, SPARKS, BILL NELSON, JOHN CALE, TRIO, JULIAN COPE, HEAVEN 17, LLOYD COLE, TUBEWAY ARMY, FRONT 242, NITZER EBB, COCKNEY REBEL, SHRIEKBACK, VICTOR SNOW, GORDON LIGHTFOOT, THE THE, BABYBIRD, JOHN LENNON, ULTRAVOX, DAN DEACON, BACH, SQUEEZE, ANDREW ELDRITCH, IGGY POP, MIDNIGHT OIL, BILLY CHILDISH, BUTTHOLE SURFERS, VELVET UNDERGROUND, LOVE AND ROCKETS, ART OF NOISE, LOOK PEOPLE, CABARET VOLTAIRE, PRODIGY, et al.
>
Don't take sides and I'll respect you for it; take sides and I'll treat you with the same contempt I treat anyone with a mob mentality, because mob mentality invariantly betrays an underlying intolerant right-wing mentality!
>
#SUPPORT gathers #MOMENTUM when #RECIPROCATED!
>
My tunes are ten times better than you might imagine!
>
A lack of listens proves nothing, other than the fact that no one is finding your tunes; it does not prove, as some believe, that your tunes must be crap, so don’t ever take such a ridiculous notion on board—on an internet FLOODED with music no listens rarely has anything to do with the quality of your music, your creative talent, is almost always down to the fact that the right audience can’t find your music, because finding it is now as difficult as finding a needle in a haystack!
>
SOMETHING FOR EVERYONE, EVERYTHING FOR SOMEONE!
>
For diversity and consistency, I am not hesitant in saying my Soundcloud pages house the most inventive creations on here. There are others making fabulous tunes, but no one is more prolific while maintaining a high standard of pole to pole invention, and that applies to the lyrics too. I won't escape obscurity and oblivion, but that proves nothing, the internet is way, way, WAY overcrowded with unsigned music, way too much mediocre stuff, which obscure anything exceptional out there; the wood hidden away behind lots and lots and LOTS of trees, and no one has the time to look for needles in haystacks, to find a diamond in the rough, it's just way too big a task, not humanely possible!

INVENTIVE, AUTHENTIC, DIVERSE MUSIC, INVENTIVE, AUTHENTIC, IMAGINATIVE LYRICS, but those are the last things the vast majority of listeners are looking for these days!
>
Me, I'm awestruck by musicians who can't be pigeonholed, who don't conform to any borders, who don't think about which direction each new creation will take, they just go wherever that creativity takes them; pure, on the fly, innovation, imperfect but 100% authentic, as far a way from manufactured, recipe book, regurgitation, as it is possible to get, totally unforced, inspirational and way, way, WAY outside the box! There ought to be a place for such creativity, there was at one time, but a mercenary music industry put an end to that, leaving us with a situation where those who deserve the most adoration for the talents receive the least!
>
Will this ever change, will a yearning for TRUE underground, creativity unique to the individual, ever return, or has the spoon-feeding gone to far this time, is its grip so vicelike nothing can break it!
>
I make #INVISIBLE music, perhaps it feels that way to you too!
#Overlooked, #Underrated, Dismissed Without A Listen!
>
When Soundclouders follow me or click like without leaving feedback, what is it they are hoping for? That I come listen to their tunes and heap praise on them, what? I mean really, what is the point of following someone, what is the point of liking one of their tunes, if you don't actual think they are deserving of feedback, if you don't think the tunes are as good as what you do???

EXPLODING THE MYTH THAT UNSIGNED IS UNSIGNED BECAUSE IT’S INFERIOR TO SIGNED MUSIC!

>
UNTIL this MYTH is blown out of the water we don’t have a cat in hells chance of breaking through. #TheMyth  is the BIGGEST obstacle that stands in our way, it is the FIRST hurdle we must get over, it is the message that should be going #VIRAL, it’s down to each & every one of you to make that happen!
>
#ExplodeTheMyth
>
Listening to just one of my tunes tells you nothing about my creative approach, listening to ten of my tunes will still tell you very little, listen to a hundred of my tunes and the penny will start to drop, but it's only after hearing 500+ of my creations and collaborations that your eyes will widen in amazement! 
However, if you don't have unlimited eclectic taste none of that applies, and the reality is, who, in this world, is going to listen to every tune I've created, no one--if even one tune is heard from beginning to end it's a minor miracle, because sadly, there is a belief that unsigned means inferior, but I've heard enough tunes by the rest of you guys to know that's a myth, that's bullshit, we create some of the most inventive, authentic, imaginative tunes out there!
Give me unsigned, independent and underground music over signed, safe, predictable, recipe book, music any day of the week!
>
I MAKE TUNES NO ONE WILL EVER LISTEN TO!
>
Some musicians & music fans don’t want to hear music from the past because they would have to acknowledge IT’S ALL BEEN DONE BEFORE!
>
Finally come to terms with the fact that I'm PLAYING TO AN AUDIENCE OF ONE, and even I have to FORCE myself to listen!!!
>
My music and lyrics are all about different, but if no one listens no one will EVER know! 
#StevenVellou

I CREATE TUNES ON THE FLY; NO FORMULA, NO PLAN, NO DIRECTION; THEY JUST HAPPEN--I'M IGNORANT OF THE RULES INVOLVED IN THE MUSIC MAKING PROCESS, SO I'M NOT BOXED IN BY THEM, WHICH IS WHY THEY ARE SO VARIED AND UNPREDICTABLE!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Meaningful yet tongue-in-cheek tunes that can’t be #PIGEONHOLED!
Great production ISN'T my forte, accomplished musicianship ISN'T my forte but #UndergroundInvention, #InfiniteDimensions & LYRICS are!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Now I don't personally believe I'm in the same league as #Bowie, other than my lyrics, more often than not, making more sense, but I do think I share his ability to adapt to different genres, and his endless, diverse, creativity, just not quite on the same level.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
I'm not proficient/accomplished on instruments, & I have other musical limitations, but most genres come natural to me, and I much prefer having that unforced ability to being highly accomplished on instruments, highly polished on production, or having the perfect voice!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
If I didn't feel I had my own approach, if my music was easy to pigeonhole, I would have quit music a long time ago!
Never been about fame & fortune, just about pushing the boundaries without actually intending to push the boundaries; creativity that's second nature not formula! 
Yes, I want to reach an audience but making money from my music means nothing to me!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
NOT saying I’m THE MOST #talented musician on music promotion sites but I will say I’m one of the most #UNDERRATED! Even so, I would much rather be underrated than overrated!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Art of Darkness

The Windscale Blues Experiment

Recent comments

Nadia Selvaggi Reposts

Brian Melt

Brian Melt

Craig T Elliott

Related tracks