Lemon tree

⚡ SEE BLUE AUDIO 
https://www.seeblueaudio.com/bagaski
⚡P R A E L U D I U M  album (see blue audio) -> 
https://bagaski.bandcamp.com/album/praeludium
⚡J O Y album (Auralgami Sounds)  -> https://bagaski.bandcamp.com/album/j-o-y

“Somebody else’s idea of somebody else’s world is not my idea of things as they are. Somebody else’s idea of things to come, need not be the only way to vision the future.

What seems to be, need not be; What be, had to be; For what was, is only because of an adopted source of things. Some chosen source as was, need not be the only pattern to build a world on.” — Sun Ra




I share music that I have made here solo or in groups. I am bundling my work with some online friends as a project oriented, micro-collective. We are happy to share with you!

https://darkpebble-bluewave.bandcamp.com/

Wilhelm Mattthies, John Daly (aka Tuneind52), Paulo Chagas and Matthias Boss

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Developer, technologist, classically trained amateur musician. Love the intersections between early and baroque music and contemporary drone / minimal and electronic music. None of the above. Check out my Bandcamp page as well.

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

Lemon tree

Gaapiiiii