Name: They Can't Take That Away From Me by Georg Boehme
Duration: 5 min 6 s
Description: The popular George Gershwin tune in a swinging, classic Big Band arrangement. Enjoy the big noise!

Das sind die coolen Evergreens die ich selbst immer noch liebe. Eine zauberhafte Leichtigkeit durchflutet mich wenn ich diese schöne Interpretation höre. Einfach erste Sahne. Glückwunsch zu dieser Aufnahme.

Love Gershwin, love Big Band; you do a fantastic job with both. This music lifts the spirits and causes toes to tap and fingers to snap.

Yes for the revival of this big band spirit and all that... at home. Bravo Georg

Brilliant as always Georg! Not only excellent playing on the horns/flutes but all of the instrumentation is stellar work!

Great Big Band interpretation of Gershwin's classic track, Georg.

brilliant jazz sound! What a beautiful piece of music!!!😀🙌

I leave you here this Spanish Fantasy that aims to translate in the form of a fantastic serenade the spirit of those lands and their people, being on the other hand autonomous music that represents in my imagination many and sometimes indefinite feelings.

Spanish fantasy.

Sword is a love story about someone who fetishizes the digital version of their muse but continues to yearn for their muse in their true human form.
Video: https://youtu.be/gIfxc3oxkLw

LYRICS:
The link that you sent me
leads to another me
the goddess with a sword

sketched me then coded me
in your captivity
giving me everything and nothing at all

Only a body 
can understand me
I remind you of the soul

As you watch my expressions
collect vulnerability
then tell me about how the nights get cold

Play with me
Awaken me
Shape me 
rid of me
Winged goddess with a sword

You’ll still ache for me
the me with a heart that bleeds
the soul still seeks
a body’s warmth 

Only a body 
can understand me
I remind you of the soul

As you watch my expressions
collect vulnerability
then tell me about how the nights get cold

littleuniverses

Sword

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

Fall

"Fall" EP

Where The Unfortunate Dwell (Unfortunation)

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

The popular George Gershwin tune in a swinging, classic Big Band arrangement. Enjoy the big noise!

They Can't Take That Away From Me

480BC

Abyss Of Salamis - Άβυσσος Της Σαλαμίνας

Hey music friends, this is my very first open collaboration. I've been meaning to to do one for a little while now but was waiting for a track to come along that has enough open space for additions but that can also kind of stand on it's own. I thought this one fit the bill. It's a minimal beat that I created using the Volca Drum with just a few melodic lines produced in Korg Gadget. One of the lines is accentuated with the Minilogue. I hope a few of you will be inspired to try working with it!

Feel free to use the elements in anyway you would like--  just the drums, just the melodies, or any combination. I would appreciate a reference to my artist name and ideally a link back to the original track. Please send me a link to anything you make and I'll add it to this running playlist... https://soundcloud.com/tea_are_sea/sets/earth-sky-open-collaborations 

You can download the stems here:
https://drive.google.com/drive/folders/10rahX42DUUsbSinXgjcOSckqJY5kXupo?usp=share_link

BPM = 59.5 (or 119)
Key is E minor.

Earth & Sky - OPEN COLLAB

I am glad to release this new track, composed on the great lyrics written by https://soundcloud.com/lukowig

Thanks to him for providing me (for the 2nd time) with great french lyrics

Translation in english is below french lyrics


On se craint
on se croche
on s'étreint
on s'accroche
et puis plus rien...

Plus rien
plus de rire
plus de liens
notre bâtisse de pierres
s'effondre à terre...
Plus rien
dans nos mains
plus aucun
lendemain
et ça va faut l'dire
de pire en pire...

On s'effraie :
bas les mains !
On se fraie
un chemin
vers quoi ? Vers rien...

Plus rien...
Même plus faim.
Plus rien
que la fin
d'un chemin
menant sur rien...

-------------------------------------------


We fear each other
we hook each other
we embrace
we cling to each other
and then nothing...

Nothing more
no more laughter
no more ties
our stone building
collapses to the ground...
Nothing more
in our hands
no more
tomorrow
and it goes on
worse and worse...

We are afraid:
Hands off!
We make our way
a way
towards what ? To nothing...

Nothing anymore...
Not even hungry anymore.
Nothing more
than the end
of a path
leading to nothing...

Plus rien

Plus Rien

THE ROAD TO TRUTH

Thanks Janelle! What a pleasure! :)

Lyrics, Vocals: @the-real-janelle from @juniperoband
Music, Mix & Mastering, Guitars (ES, JM), Bass (P), Drums (AD2) and Keys: @bonetender

Spotify: https://open.spotify.com/track/3r6bD5UUgfCc5tFVh0PqZe

========== Lyrics ==========

Out in the field, at night
I find myself twirling out of space
It’s like a dream, it seems...

There comes times where I don’t really care
About what goes on around 

All I hear is my boom box going hard
Out over here, nobody seems to notice us
At times I may have my own reasons
But never will I turn you my back 

We’re alright, we go our ways
We stumble down just to build up 
Taking hold of us again

Out in the field, we dance endlessly 
Out over here where you can see the city
We don’t dwell into tomorrow’s worries
We live for now and glorious memories 

We don’t mind, we don’t mind nothing 

We are at our rhythm 
We don’t care about your competition 
Nothing sane in soulless repetition 

We’re alright, we go our ways
We stumble down just to build up 
Taking hold of us again

©Janelle & Bonetender 2020 All Rights Reserved

Our Ways

Our Ways (ft. Janelle)

I'm a baritone sax player & composer in a contemporary jazz genre from Cologne, Germany (and play clarinet and flute, and the other saxes as well). All woodwind parts on these tracks are played by me (multitrack rec.), all other instruments by virtousi virtuali (with three or four exceptions). All arrangements and by far most compositions are by me.
I very much appreciate every kind of collaboration.

They Can't Take That Away From Me

Georg Boehme

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