Helena Hauff! Du rufst an, ich leg auf.
Booking:
chloe at annexagency.co.uk
The Americas:
cara at liaisonartists.com

Member of Black Sites
Member of Hypnobeat
Member of children of leir

This is my official soundcloud page every other entry on any social networking site purporting to be me is either a fan page or somebody else pretending to be me!

Let's tell our story together. 

MGMT: chance@cindermgmt.com

Promo: midnightkidspromo@gmail.com

SHOCKVALUENYC

worldwide: daniela@triangleagency.com
north/south america: frankie@discwoman.com
lectures, writing & art: studio@julianahuxtable.com

NOTON – founded by Carsten Nicolai as a small imprint in 1994 – began its activities in 1996 with the release of noto’s “spin”. a collaboration with RasterMusic began the same year, and by 1999 the two labels had merged into Raster-Noton. In 2017, NOTON will start working independently again by releasing Alva Noto’s entire back catalogue, and the label is currently planning releases for the future too. Ongoing projects and collaborations include: Noto, Alva Noto, Opto (Thomas Knak + Alva Noto), cyclo.  (Ryoji Ikeda + Alva Noto), ANBB: Alva Noto + Blixa Bargeld, Alva Noto + Ryuichi Sakamoto, Anne-James Chaton + Alva Noto + Andy Moore, ø + Noto.

⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓
⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓
⛓⛓⛓?????⚰️⛓⛓⛓⛓
⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓⛓
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Making music since 2009 as a compassion.
Gans in allen Gassen.

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

The Bunker New York has been producing live music events since 2003, operating a booking agency for many of our artists since 2006, and publishing their music on our two record labels since 2014. Operated by Beyond Booking, a 501(c)3 non-profit organization, The Bunker NY has grown into an established institution which is well known across the world.

WE ARE NOT ACCEPTING DEMOS

bookings: - michelle@thebunkerny.com

Queen of New York City Techno - The Real Sound of the Underground

Booking: 
North America ricky@visionarytalentgroup.com
EU/Asia/Australia katty@triangleagency.com

aka D33 aka Danny From Miami - Break Dancing since 98' - DJing since 99' 

Management: 
mgmt@omnidisc.co

Booking: 
(N & S AMERICA) ryan@liaisonartists.com......... (EUROPE) marcus@lb-agency.net ..........

import __future__ is following

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