A short recording of sounds made by scissors, repeated in various guises over a drone backdrop.

More on this 487th weekly Disquiet Junto project – Carillon Quotidian (Assignment: Turn a recurring sound from your life into music) – at: https://disquiet.com/0487/

This project was developed by Marty Petkovich (aka K Joule) as part of the celebration of the upcoming 500th consecutive weekly Disquiet Junto project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/ 1

https://llllllll.co/t/disquiet-junto-project-0487-carillon-quotidian/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Jade, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/2sThNR

https://creativecommons.org/licenses/by-nc-sa/2.0/

Cutting Edges(disquiet0487)

Tone

An aural description of the evolutionary process of a butterfly for the Naviarhaiku challenge of the week 503.
Obtained with vcv rack/bespoke and repertoire recordings with guitar, fuzz and loopstation.
Editing with ableton live and final mixing with cubase.

Haiku by Darren Bourne https://ffm.bio/halfunusual

Picture by Ray Hennessy https://unsplash.com/photos/qZzJoiKHqmo

Evolving Mutation (naviarhaiku503) © 2023 by Nadìr is licensed under CC BY-NC-SA 4.0

Evolving Mutation (naviarhaiku503)

This [disquiet0621] assignment had me scrounging around for bits that had lain dormant on my HD, and when I found this it felt kind of incomplete and seemed to lend itself perfectly for enhancements of all kinds. I supplemented the existing welcoming major key guitar ideas with a healthy helping of fatty Jazz bass lines soaked in delays, plus clicks'n'cuts percussion & naughty machine beats to give it a bit of a kick.

Anyway, enjoy and be sure to gobble all of this up -- as we all know, leftovers often taste even better the next day, and I should think that that is certainly the case here.

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More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

Sustenance [disquiet0621]

Windmill Variations 10

#ambient #cinematic #liminal #quiet #experimental #darkambient #synthesizer

I’ve seen a while dove eating a pizza.

The Free Spirit is Eating a Pizza - finfilm

Made for Naviar Records' 526th Haiku Challenge

Sumitaku Kenshin (1961-1987), who died of acute myeloid leukemia just before turning 26, devoted the last 20 months of his life to haiku.

https://soundcloud.com/tuonela-1/i-see-my-shadow-in-the-moonlight-naviarhaiku195

Arc of moonlight [naviarhaiku526]

The dreadful algebra of necessity

"Time waits for everyone"

Music by Stu King
Gretsch Streamliner
Boss RC5 Loop station
Hologram Microcosm
Korg Monologue
Digital Delay
Reverb
Mixed in Cubase

What's A Month?

What's A Month? (naviarhaiku528)

Wordless
all day long
the shadow of a butterfly
 

Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.

Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Wordless (naviarhaiku532)

Ode to Failure/Ode al Fallimento is an excerpt from my latest book 'Beginnings & Other Tragedies/Inizi e Altre Tragedie', Valley Press 2023.
Field recording taken with jrf hydrophone.

'Ode to Failure

Close all the windows
check for draughts.
Let it start and flow and pass through
the furniture and the basket of linen
the dying toothpaste tube
the dogs’ eco-bags.
On each visit, it seems it never left
talkative and judgmental, it lingers.
But when we sit surrendered
it crops and trims, it asks for mercy.
This is not about falling per se
rather, about the dynamics of the fall.
Like photon wave-particle duality
and the uncertainty principle.
We can never be certain
about the position of a body in space.
If we fall it’s hard to pinpoint us
figure out where we’ll land.
It says – don’t take all the blame
I can be irrational and unwarranted
over-ascribed to your life.
Contextualise your grief.

Ode al Fallimento

Chiudete tutte le finestre
controllate gli spifferi.
Che cominci e fluttui e passi attraverso
i mobili e il cesto della biancheria
il tubetto agonizzante del dentifricio
i sacchetti bio dei cani.
A ogni visita, sembra non sia mai partito
loquace e giudicante, si attarda.
Ma quando ci sediamo arresi
ritaglia e spunta, ci chiede comprensione.
Non si tratta del cadere di per sé
piuttosto delle dinamiche della caduta.
Come la dualità di onde-particelle dei fotoni
e il principio di incertezza.
Non possiamo mai essere certi
della posizione di un corpo nello spazio.
Se cadiamo è difficile localizzarci
capire dove atterreremo.
Dice – non addossarti tutta la colpa
posso essere irrazionale e arbitrario
sovra attribuito alla tua vita.
Contestualizza la pena.'

Ode To Failure/Ode Al Fallimento

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Cutting Edges(disquiet0487)

ray_cobley

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