Name: Menace Approaching (naviarhaiku518) by ray_cobley
Duration: 5 min 24 s
Description: Musique concrète, a mix of recorded & electronic sounds.

I extracted two samples from an old track of mine (Tape), lengthened the time, adjusted the equalization and finally mixed them together adding various effects. The basic track was synthesized in csound, the extraction carried out with audacity and finally the mastering with flstudio.
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More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: https://disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: https://www.eventbrite.com/e/expanded-listening-music-that-listens-to-itself-tickets-712124101357 2

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

re-tape - disquiet0611

Step 1: Pick a single percussion instrument.

Step 2: Record between 4 and 12 different short examples (roughly 20 to 60 seconds each) of playing that instrument. Imagine that each recording is by a different musician exercising a different aspect of the instrument. Make no deliberate attempt to match key or tempo or sonic quality between them.

Step 3: Imagine moving through space over the course of time, and encountering the sounds — overlapping somewhat — as you proceed. Arrange the recordings over the course of a track so that at least one and at most five of the examples are audible at any one time. To further the spatial movement, each could fade in at the beginning and fade out. They might, as well, move from position to position within the stereo field.

Step 4: If you wish, consider adding a noise bed underneath the entire piece to sew all of the pieces together, to provide a sense of the space one is moving through.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0612” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0612” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How long a walk do you want to take the listener on?

Deadline: This project’s deadline is the end of the day Monday, September 25, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 21, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

Tin drum ( DIY drum sample maker ) - disquiet0612

Sund fantasy on:

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

John Hinks

Naviarrecords haiku challenge

Deep Shaft

Deep Shaft_Naviarhaiku508

An electronic composition, sounds created in Pure Data.

More on this 616th weekly Disquiet Junto project, Definition Jam (The Assignment: Explore, in music, the nuanced differences between two closely related words), at: https://disquiet.com/0616/

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0616-definition-jam/

Dense to Dark (disquiet0616)

More on this 617th weekly Disquiet Junto project, Haunt Scape (The Assignment: Halloween is coming up. Do your thing), at: https://disquiet.com/0617/

The cover image (enlarged, type added) is from Wikipedia:
https://en.wikipedia.org/wiki/Skull#/media/File:3d_CT_scan_animation.gif

That image is credited to Arielinson and used thanks to a Creative Commons Attribution-Share Alike 4.0 International license: https://creativecommons.org/licenses/by-sa/4.0/deed.en

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0617-haunt-scape/

Binding Trilogy (disquiet0617)

More on this 619th weekly Disquiet Junto project, Beat Accrual (The Assignment: Rebuild a complicated rhythm from scratch), at: https://disquiet.com/0619/

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0619-beat-accrual/

ecc brualta - disquet0619

A simple melody played on acoustic guitar, felt piano and fretless bass.
Some orchestral chords (treated) acn be heard in the background.

Composed on an ukulele sitting alone on a sunny winter day on the beach at Marina di Pescoluse, Puglia, Italia.

Recorded in Paris, November 2023.
For this haiku:

two seahorses
dancing in seagrass
slivers of sunlight

Poem by Corine Timmer
Photo by David Boca

@naviar-records
@corinebicadeideias

Soliloquio Pugliese - naviarhaiku516

Musique concrète, a mix of recorded & electronic sounds.

Menace Approaching (naviarhaiku518)

Anyone?

251027 - Erbe-verb Drone 1

Dark ambient soundscapes for your pleasure, relax, chillout and enjoy.

DARK AMBIENT - ABHORRENCE

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Menace Approaching (naviarhaiku518)

ray_cobley

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