Name: Imps and Ogres, Apparitions for String Orchestra by Robert John Brooks, Composer in Classical
Duration: 6 min 30 s
Description: This work was revised and recorded on 2/12/2022

Outstanding, Robert! :D Intense intricacy of movement! A type of sinister sounding sinuosity of directional scheming unfolding in the perfect climactic plot! Love it!  🙌🏻🎥🎯💎💎💎💎🎶😘

Really good harmonically and superb writing for strings!

This is the second time I have listened to this music and it would repay further listening I am sure! Once again I was blown away by the scope of the harmonic palette you have at your disposal and the exemplary quality of the string writing.

This sounds great. Lots of ideas, impressive sound quality, and creepy enough, for sure.

nervously watching the republican convention... this is perfect soundtrack & appropriate title.

@r3np Thanks ever so much, Rene'. I really appreciate it. 

Classical

- Fate's Shadow -
Ashes on the Wind - Chapter 1

A dramatic piano and cello composition that marks the beginning of a doomed journey.

He walks toward certain doom. With nothing left but the weight of memory and resignation, he follows the path of despair. The battle is already lost, yet he marches—not for victory, but for honor. For remembrance. For the fallen.
Hope has long since faded, but resolve burns quietly on. Let the cello weep and the piano echo the footsteps of the forsaken.
This is where fate is met—and remembered.

------------------------------

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Composed and arranged by Matt Latulippe

Main libraries used :
-Pacific Strings
-Storm Cello
-Nucleus
-Noire

Ashes on the Wind

Ashes on the Wind - Fate's Shadow

Subwaters

shitballs from outer space

J'ai remixé ce titre sortie il y a 6 ans que je n'ai jamais publié sur Soundcloud. Il est inspiré de l'univers mythique de l'écrivain HP Lovecraft que tous les fans de fantastique doive connaître.
Dans cette mythologie, les Chiens de Tindalos, lorsqu'ils chassent, rejoignent notre univers en passant par les coins des pièces. Faites de beaux rêves :)

----
Often in the night,
Alone in the dark,
I hear a bark
But there's nothing in sight

In the angles of time
I know they hide,
On another side,
Away from our mind

If you find this don't try to understand

If you ever meet
The Hounds of Tindalos
Insanity you may come across...
(Enough !)

I plastered the corners 
I masked the edges
Will these strategies
Stop the great elders ?
If you finally find this testimony,
Never ever try to learn more about me

In this quest for knowledge and truth, 
I tried to see through space and time until I get caught !
Theses creatures from ancient times do not allow such breach in space...
Since then they follow my trace

(Enough !)

If you ever meet
The Hounds of Tindalos
Insanity you may come across...
(Enough !)
-----
(Hommage à HP Lovecraft)
Souvent dans la nuit,
Seul dans l'obscurité,
J'entends un aboiement
Mais il n'y a rien en vue

Dans les angles du temps
Je sais qu'ils se cachent,
Sur une autre plan,
Loin de notre esprit

Si vous trouvez ceci, n'essayez pas de comprendre

Si jamais vous rencontrez
Les chiens de Tindalos
Vous risquez de tomber sur la folie...
(Assez !)

J'ai plâtré les coins 
J'ai masqué les bords
Ces stratégies
Arrêteront-elles les grands anciens ?
Si vous trouvez finalement ce témoignage,
N'essayez jamais d'en savoir plus sur moi

Dans cette quête de la connaissance et de la vérité, 
J'ai essayé de voir à travers l'espace et le temps jusqu'à ce que je me fasse attraper !
Ces créatures des temps anciens ne permettent pas une telle percée dans l'espace...
Depuis, elles suivent ma trace

(Assez !)

Si jamais vous rencontrez 
Les chiens de Tindalos
Vous risquez de tomber sur la folie...
(Assez !)

The Hounds of Tindalos

I had posted a year ago the row version of this track recorded back in 2015 (https://soundcloud.com/michele-ansani/bosque-redondo)
I thought that, after all these years, it was time to remake it, without altering the melody or the atmosphere.
Regarding the context evoked, see for example here: https://americanindian.si.edu/nk360/navajo/long-walk/long-walk.cshtml

Composed by Michele Ansani (2015-2025).
Bansuri is courtesy by Aahro.
Cover photo: Navajo girls at Fort Sumner, Bosque Redondo era, New Mexico, 1864-1868(?). Palace of the Governors Photo Archives, negative number 038208.

RePosted on SoundCloud: 2025, June 16

Bosque Redondo (final version)*

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Spotify

I'm Hungry!

Uncanny Valley

I have finally been discharged from the hospital after undergoing surgery to fix my lumbar spine. I remember the time when the pain in my body dominated my mind. I think that the hallucinations I saw were clearly thoughts of my body. Music can be created using only the body.

Body Music（325)

Guitar, vocals, arrangement - Lizzie Taypen
Photo - Dunavon Woods - Lizzie Pentland
Recorded early this morning on my phone, a simple take when it was quiet.
I am finding it quite difficult to play my guitar now because of my arthritis, so  good to play a little. 
Happy Solstice to all of you!!

She moved through the fair ( Trad Cover)

Romantic〔Lylics by Romi   Composed by Romi   Arrenged by Romi , Red＆Blue〕

This work was revised and recorded on 2/12/2022

Imps and Ogres, Apparitions for String Orchestra

Video

Snowlight

Orchestra 44 - RockThat

I wanted to write something on the delicate side portraying nature's beauty.

Chunguang Hushui Xiyang Hong (Reflections on a Spring Lake Sunset)

This is part 1 of several parts to a single orchestral piece.  I will release them as they are completed and then I plan to release the overall piece as a single track.  Perhaps this is akin to chapters to a novel?  I hope you enjoy listening.  Thank you.

A Musical Story: Chapter 1

Thanks for visiting. 
What's new:  I have started work on a violin sonata. My new symphony, "Symphony for Chamber Orchestra," is posted and waiting for you.  rjb

Scores and parts for many of my works are available from my publisher Creative Spirit Music Publications. Go to  https://www.creativespiritonline.com and select "Robert John Brooks." There, you can also follow the score while listening to a recording.

My music is fully notated and is intended for live performance by live musicians.

After completing my doctorate in composition in 1979 from UNT, I took 30 years off from composing to join the computer software revolution as a software engineer.  In 2010 I began composing again and have not stopped. So, I find myself beginning (restarting?) a composition career rather late in life...but that's OK.  Most of the works posted here were written since 2010. 

Thanks for visiting.

Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. ~Charlie Parker

Imps and Ogres, Apparitions for String Orchestra

Robert John Brooks, Composer

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