
 method: mostly digital, btw her name is Hazel and I met her in a Balabolka engine  room where she hid from one of Bill Gates' younger clones
narration: the history of voice recreation and vocoding  is not only shrouded in the cold-war kind of truth but also a token of man's technological preoccupation with mirrors 
image: copyright jo richter, also using sections from my photo of a mural dating back to 1569 

poem / copyright jo richter:

time has slipped below the dial  
into an interstitial zone -
an abyss marking mass‘ modal 
iterations, as interference-prone 

as any mental skill held in a vial 
made of human flesh and bone -
meta-breathing arbitrary model 
citizens, grouped in groups and cloned alone

predictive voice encoder

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



MUSIC is an emotional and spiritual world surrounding us where everything is possible. I enjoy to explore  my own way through it. My instruments: piano, clarinet, various small instruments, keyboard and computer. I like to record sounds and use them into my tracks.

29.11.2024: NEW ALBUM: "SOUL PULSE"
https://ariad.bandcamp.com/album/soul-pulse

03.08.2023: NEW ALBUM: "SOURCE"
https://ariad.bandcamp.com/album/source

13.03.2023 - NEW ALBUM "FÛ":
https://ariad.bandcamp.com/album/f

02.01.2022 - NEW ALBUM "The Open Path":
https://ariad.bandcamp.com/album/the-open-path

21.06.2021 - NEW ALBUM "HIGHFLUX":
https://ariad.bandcamp.com/album/highflux

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

"more fun than i deserve" 
" stepping off the ledge with desire"
NEW album released 10/31/2025 SCALAR FIELD ON BANDCAMP listen for free or own it for the price of a couple  Frappuccino's   :)

Composer, lyricist, published poet, sound artist, improviser, recording artist.

Also known as @ajkaufmann.

"no uchū" is a small online boutique, where you can buy unique items associated with me and support me directly. European Union only, sorry.

https://nouchu.wordpress.com/

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

Electronic noises 

I co-found a duo with my friend Artur
on guitar - Surfers Like Us

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

Submit Your Music | bit.ly/boostyoursongs

predictive voice encoder

sonic structures and silent stretches