Real-time recording created in Pure Data.

More on this 493rd weekly Disquiet Junto project – AudioCorrect (The Assignment: Think about the utility and the useful failures inherent in autocorrect and apply this to your music) – at: https://disquiet.com/0493/ 1

Thanks to Alan Bland for proposing this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0493-audiocorrect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Autocomplete (disquiet0493)

an happy day with the latest discovery on a daily research
made with kontakt 5 then mixed in cubase
updated mix on 26/02/2023

Solo Ensemble © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

solo Ensemble *provisory

solo Ensemble

Unseen

Paral·lel & François Fontaine - Glisten

A track made for a choreography by Zezé Kolstad for the Ballet Laboratory project. Performed at the Norwegian National Opera & Ballet, August 19th 2009.

(Note: The track art has nothing to do with the original production. It's just a product of my imagination with a little help from some artificial intelligence engine)

Ballet Sketch (2009)

Disquiet Junto Project 0573: Float Mode
The Assignment: Add material atop a pre-existing beat to form a complete track.

I liked https://soundcloud.com/tendigits/disquiet0572-rythm-kit by Tendigits and because it seemed to be made completely "by machine" I wanted to add only things without machines/automation. 
So I improvised around five additional tracks of sounds (and tried to leave room for some variation on the original drum track by Tendigits while doing it). In this week I also had field recorded the sound of icicles that I had knocked off the corrugated roof above the bicycle stand in the inner courtyard of my flat (my wife recorded, I knocked of the icicles – they can be seen on the track cover) and somehow felt they would fit as a mysterious element (hence the title) and because there was something like ice rain I heard in the original track (maybe its just me…). Finally I felt something was missing and added a live sung/spoken session of some kind of acoustic nagging to the track, which I edited with a lot of fx and manually painted parameter curves. 
It now feels like a hit.


There is a video on instagram https://www.instagram.com/p/Cmem4hepeBb/

More on this 573rd weekly Disquiet Junto project — Float Mode (The Assignment: Add material atop a pre-existing beat to form a complete track) — at: https://disquiet.com/0573/

Project discussion takes place on https://llllllll.co/t/disquiet-junto-project-0573-float-mode/60250

Instagram video here

Icicle Hunt (by Krakenkraft & Tendigits) [disquiet0573]

A DIFFERENT WORLD

Once Remembered

Bamboo #3

kari

where is my mind? by the pixies
ambient version
sped up

where is my mind? (ambient version sped up)

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Autocomplete (disquiet0493)

ray_cobley

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